ICE
agents pose as NYPD to arrest long-time New Yorker after 6
a.m. Manhattan door knock, say outraged city officials
The cops knocking on the door of an Inwood
man’s apartment before dawn weren’t cops at all.
They were instead U.S. Immigration and
Customs Enforcement agents who duped family members into
helping them arrest the clan’s patriarch, now behind
bars and facing deportation, his devastated relatives
and city officials said Saturday.
“This is a violation of our law,” said
Brooklyn Borough President Eric Adams, an ex-city police
officer, about the duplicitous Thursday bust of Fernando
Santos-Rodriguez. “You cannot state that you are a
municipal police official. You cannot violate the law to
carry out the law.”
After getting information from his
relatives, ICE agents arrested Santos-Rodriguez, 48, as
he arrived at his morning shift as a Harlem restaurant
chef.
The 30-year New Yorker with a wife and
four kids is currently in ICE custody at the Hudson
County Jail in Kearny, N.J. awaiting a possible
deportation hearing.
Brooklyn Borough President Eric Adams
speaking out about the arrest of Fernando
Santos-Rodriguez by ICE agents accused of posing as
members of the NYPD.(Barry Williams/for New York Daily
News)
The family and the advocates gathered on
his behalf said the issue was an open state court case
where Santos-Rodriguez was charged in an incident where
he was trying to protect his family. They declined to
specify the charges against him.
“He is a good man. He is not a criminal,"
said Maria, his wife of 25 years, who declined to share
her last name.
Family members also declined to identify
Santos-Rodriguez’s homeland.
ICE officials could not be reached for
comment Saturday.
Adams and other officials called for
Santos-Rodriguez’s immediate release from custody as his
spouse and their children recounted the 6 a.m. knock on
their door that preceded his arrest.
City Council member Ydanis Rodriguez
(D-Manhattan) with the family of Fernando
Santos-Rodriguez.(Barry Williams/for New York Daily
News)
Santos-Rodriguez’s wife declined to open
the door when the agents posing as NYPD arrived.
So the agents went to the building’s
super, who convinced her to let them in.
“They showed me a
photo of another man, not my husband,” Maria recounted.
The ICE agents said there was a mix-up
between the man in the picture and her husband, with
both sharing the same name, the wife recounted.
Thinking she was speaking with NYPD
officers, Maria provided the agents with
Santos-Rodriguez’s cell phone number after they assured
her the case could be resolved if they could see her
husband’s ID.
After that, the agents found
Santos-Rodriguez in Harlem and placed him under arrest.
Left to right, the family of Fernando
Santos-Rodriguez: Armando Santos, 25, Christopher,
20, Maggie, 23, Fernando Santos, 14, and
Santo-Rodriguez's partner Maria.(Barry Williams/for New York Daily
News)
“It’s crazy how they can just take you
because they want to, with lies and everything,” said
the man’s 25-year-old son Armando. “I’m here. I’m going
to fight to the end, because it’s not fair.”
City Council member Ydanis Rodriguez
(D-Manhattan) said he was assured by the head of the 34th
Precinct that none of its officers were there and that ICE
agents were not authorized to pose as city cops.
Council member Carlos Menchaca, head of
the immigration committee, reported an increase in ICE
activity around the city in the waning months of
President Trump’s four-year term.
“We are seeing them escalate their terror
in our communities,” said Menchaca (D-Brooklyn). “This
thing that Trump wants in the days before this election
is real. He wants to make us afraid.”
Mayor de Blasio sent a letter to ICE
officials demanding an end to agents posing as NYPD
officers after his office received “numerous reports” of
similar operations.
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“Clearly stated, the NYPD does not want
ICE agents stating or implying that they represent the
NYPD,” the mayor wrote.
Maria (at the podium) gave ICE agents
her partner Fernando Santos-Rodriguez's cell phone
number after assurances that the case could be
resolved if they could see her husband’s ID.(Barry Williams/for New York Daily
News)
Santos-Rodriguez was stricken with
COVID-19 during the ongoing pandemic, but survived and
returned to work to support his family.
Jorge Muniz of the Sunset Park ICE Watch
said the jailed man deserved a day in court to prove his
innocence in the unresolved case.
“He’s innocent of the
charges, he wants to go to court," said Muniz. “He’s
been here 30 years with no issues.”
Santos-Rodriguez’s family just wants to
see him walk through their apartment’s front door.
“We want justice, we
want him home,” said his 23-year daughter Maggie.
“That’s all we want.
Louis, I think your piece might be a little too pessimistic.It reminds me of some of Jason Unruhe's commentaries about lack of revolutionary poential in the first world.I also think it might be misplaced nostalgia to believe we can rebuild communism or socialism in places where they existed in the 20th Century,such as the lower east side of New York.As you point out,the demographics of these neighborhoods has changed too much.We have to work we can,where the poor and working class are,whether that be latino/latina immigrants,in border states,Native Americans,the couple in their 50s,who lost their home in the crash of 2008,and are burdened with medical debt,or the twentysomethings struggling to pay off college debt,by working at 7-Eleven or Buger King.These are the people who are most open to revolutionary potential.All the better,if we can pull a few union members away from the Democrats,as a bonus.They can eventually radicalize a few more of their coworkers,but we can't count on mass defections of union members on a large scale,unless there is a further breakdown of society.
The party I belong to believes that a large socialist or communist party has to be built up over time,it will not spring up in full flower over a short period of time.In order to do this,we have to go out in the streets,and take our message to the poor,and working class,while offering mutual aid programs,in the tradition of groups like the BPP,and the communist parties of the 1930s.
There has been a growth of white vigilante violence over the years through the formation of militias ---- they are often indescriminate in who they attack --- often attacking law enforcement people ---- this reduces the danger that fascism will come because (obviously) it drives a wedge between the officially sanctioned violence of the state and the extra-legal (illegal) violence of these militias --BUT -- if Trump is re-elected the merging of these two groups (already noted in some locations and with some sheriff's departments) will be accelerated ---
So yes, DSAers are not getting the treatment that civil rights activists got in the 1960s --- or the Panthers got from the cops in the same decade --- but ordinary people and law enforcement personnel are in the cross-hairs of right wing extremists ----
Radical Seattle: The General Strike of 1919, by Cal Winslow (New York: Monthly Review Press, 2020).
The Seattle General Strike lasted only five days, but people have been fighting over what it means for a hundred years. Cal Winslow raises this discussion to a new level. Sticking close to the workers themselves, he shows us why the strike matters.
Radical Seattle takes its time getting to the strike itself. Early chapters are organized thematically, not chronologically, so there is some repetition. We are told, three different times, that loggers would flee the wet woods and spend the winter on Seattle’s Skid Road (pp. 44, 52, and 72). But Winslow’s strategy pays off. He shows us how Seattle became a major modern city, rooted in shipbuilding, and how the workers in Seattle’s 120 craft unions came to favor industrial unions and the closed shop. He shows us how cooperatives, the Socialist Party, the Soviet Revolution, and especially the IWW’s struggles in the Pacific Northwest, contributed to the outlook of Seattle’s workers.
By the time Winslow gets to the Everett massacre, in Chapter Four, the narrative carries us along. In 1916, Everett timber workers, including some Wobblies, were striking, and being violently repressed. To give support, Seattle’s IWW members rushed to Everett via boat and were fired on by the authorities and vigilantes at the Everett dock; there were many casualties. Winslow wants us to know this history for its own sake, and also because the Everett massacre pushed Seattle’s workers to the left, like the Peterloo massacre in nineteenth-century England pushed English workers to the left (p.97).
Radical Seattle shows how the Wobblies helped make Seattle radical. Winslow’s larger point –developing the great insight of his mentor, EP Thompson– is that Seattle’s workers in 1919 were not just reacting to the conditions of the moment. Their thinking was shaped by earlier events like the Everett massacre and by the repression of Wobblies and Socialists after the US entered WWI. In Seattle, there was growing collaboration on the ground between Wobblies, Socialists, and trade unionists; they shared the same street corners, the same stages, the same demonstrations (pp. 139 and 142). Making good use of newspapers, especially the Seattle Union Record, obscure MA theses, and wonderful archival photos, Winslow explains how Seattle became different, how its workers became powerful.
He is careful to note that radical equality was a value for some but not all of Seattle’s white workingmen. There was racism toward the small minority of black workers and the larger minority of Japanese workers. Seattle was a union town, but the Japanese workers had their own segregated locals. Winslow tells their story. He is even better at integrating the struggles of women workers into his narrative. We find out about organizing by laundry workers and hotel maids and waitresses; we listen to the debates about the rights of wives to work; we meet women organizers like Anna Louise Strong, Kate Sadler, and Louise Olivereau.
By the time we get to 1919, we understand that the militants in the labor movement, who were a minority elsewhere, were the majority in Seattle. James Duncan, leader of Seattle’s trade union movement, supported industrial unions, fought for closed shops, and openly opposed Samuel Gompers’ leadership of the AFL at national conventions. He was not a radical but he was open to radicals and worked with them; like them, he wanted all labor contracts to expire at the same time, so that workers could strike together. In Seattle, in contrast with the national AFL, local union leaders valued working-class solidarity more than craft exclusivity.
The Seattle General Strike of 1919 was an expression of class solidarity. 30,000 shipyard workers who were on strike asked other unions to join them. Workers from all of Seattle’s other unions joined, effectively shutting down the city. Suddenly the workers were responsible for the city. How would people eat? Dispose of garbage? Get the prescription drugs they needed? Get buried? Who would do the hospital laundry? What services would the strike committee reopen, to make life possible? Winslow shows us the streets quiet, and the feeding stations, union halls, co-op markets and neighborhoods bustling with life. He insists that it is still the only time that workers in the US ever really ran a city (p. 218).
Threatened with massive violence by the federal government, strike leaders ended the peaceful general strike after five days. Strike opponents and some historians see it as a failed revolution. In proclaiming the strike a success, Winslow follows the lead of the strike committee, which published its own history: Seattle’s workers “learned how a city is taken apart and put together again.” (p. 214). And when we finish this powerful book, we too have learned how a city may be taken apart and put back together again.
Reviewed by Steve Golin, Professor Emeritus of History. Bloomfield College, Bloomfield, New Jersey.
Esquire called Alex
Gibney the most important documentary of out time. Although I
generally shy away from these kinds of accolades, such a case can
be made for him in light of the fifty films he has made since
1980. Although he has made many political films like “Totally
Under Control” that is available as VOD on October 13, he has also
profiled James Brown, the Rolling Stones and Frank Sinatra.
“Totally Under Control” gets its title from Donald Trump’s
response to a reporter on Jan. 22, who asked if there are worries
about a pandemic. Trump replied: “No. Not at all. And we have it
totally under control. It’s one person coming in from China, and
we have it under control. It’s — going to be just fine.”
On practically a
day-by-day basis, Gibney and co-directors Suzanne Hillinger and
Ophelia Harutyunan show how missteps both intentional and
unintentional, have cost the lives of 214,000 deaths and 7.71
million cases. There’s a tendency for COVID-19 denialists to focus
on the deaths, often dismissing them as disproportionately falling
on the elderly. What’s the big deal, I’ve heard them argue, if the
median age of deaths is 78? That’s the life expectancy anyhow. But
if you consider that among the 7.71 million deaths, there might be
at least one million Americans who have permanent damage
neurologically or to their respiratory system, that’s a disaster.
Since there are no ways to codify such an impact, it tends to be
overlooked.
(JAI: Came over from Quora today. Sorry. Just could not resist posting after my last comment yesterday. (This originally sent yesterday to wrong Marxmail eaddress.))
Are scientists 100% sure God doesn't exist, and the universe was created by a quantum fluctuation? If the modern naturalistic
theories are not applicable before the earliest known period (Planck epoch), does that mean God created the universe?
Viktor T. Toth
I don’t think there are any serious scientists out there who would conclude, on a scientific basis, that God does not
exist. Many scientists are atheists or agnostics. But quite a few are believers. Religion need not mean dogmatic fundamentalism and as such, there need not be any conflict between scientific inquiry and faith.
No serious cosmologist will tell you that the “universe was created by a quantum fluctuation” or indeed, tell you how,
or even if, the universe was created. Sadly, these ideas often appear in popularizations, but the science works the other way around. It takes information we can collect in the present about the physical universe, and projects it back into the past as far
as we reliably can, but no farther. We know what happened with reasonable accuracy when the universe was less than a microsecond old. What we do not know is what happened in that first microsecond or indeed, whether it was a microsecond or an eternity.
Anything you hear about the Planck epoch, about the universe created in a quantum fluctuation… that’s just fanciful
speculation. Not the actual science. At best, it’s informed speculation; often, not even that, basically just science-fiction. The actual science concerns itself with things like the properties of the microwave background, the large-scale statistical distribution
of matter, isotope ratios, the composition of early galaxies, etc. In other words, things we can observe and how they fit into the physical theories (notably, general relativity and the Standard Model of particle physics) that we have.
So no, science will not tell you that God created the universe, but it also will not tell you that God doesn’t exist.
That is up to you to decide, as you follow your conscience. Whether you think of Nature purely in materialist terms, or consider Nature the true “book of God” that you can read with your God-given mind, I think it is exhilarating to live in the 21st century
with the level of scientific understanding, the work of many past generations of scientists, that is at our disposal.
---------- Forwarded message ---------
From: Quora Digest <digest-noreply@...>
Date: Fri, Oct 9, 2020, 08:02
Subject: Are scientists 100% sure God doesn't exist, and the universe was created by a quantum...?
To: <johnaimani3@...>
Totally agree, Andrew --- I read the damn article and I could actually FEEL the unctuous smugness dripping all over the "pages" on my computer screen. It's the same old same old --- Howard Zinn might have made some mistakes in A PEOPLE'S HISTORY --- I've certainly caught "errors" in "big picture" writings about this or that historical period ----
But on balance, of course, the 1619 project is a GREAT way to introduce the American "original sin" (race based slavery and the persistence of white supremacy institutions --- from Jim Crow, to mass incarceration, to get out of jail free cards for cops who murder black people) to the general public.
If Stephens wanted to be honest instead of sucking up to "his" readers (conservatives who hate what's in the NY Times most of the time) he should have emphasized the hypocritical seizure of some differences in analysis between the writers of the 1619 project and other historians--- seized upon by the Trump administration and the right wing. Instead Stephens blames the 1619 project for giving Trump the opening -
But unfortunately, it is worth it to read this crap ---
(and the participation of Wilentz and MacPherson is very disheartening --- they both know better!)
Donald Barlett and James Steeleare
revisitingAmerica: What Went Wrong, their
landmark 1991 newspaper series, ina new projectwith
the Investigative Reporting Workshop. Over the next year, the
project team will examine how four decades of public policy has
shaped America's ongoing economic crisis.
In her preface to Brecht’s last-published work “War Primer”, Ruth Berlau wrote, “It is just as difficult for the untrained viewer to read images as it is for him to read hieroglyphs. The widespread ignorance of social relations that is carefully and brutally maintained by capitalism turns the thousands of photographs in illustrated magazines into true hieroglyphs that are indecipherable to the gullible reader”. War Primer was one of the ways in which Brecht sought to demystify the naïve consumption of images as if photographic images were inherently transparent. If the meaning of a photo was obvious (that is, transparently given), why would magazines and the like feel the need to add captions? A good example of this was the caption appended to Life’s publication in February 1943 of one of George Strock’s war photos showing an American GI looming over a Japanese soldier he had just shot on Buna Beach on the northern coast of Papua. The caption read: “An American soldier stands over a dying Jap whom he has just been forced to shoot. The Jap had been hiding in the landing barge, shooting at U.S. troops.”
In War Primer (1955) Brecht compiled news photos collected over many years, printing them on the right hand page mounted on a black background, along with their original captions in English, German or Swedish. Below the photo he would add a quatrain (a poem of four lines) written by himself. And the back of the book contained what Brecht called “Notes on the pictures”, which further explained the meaning in terms of a wider context. (The building blocks of War Primer were thus ‘photo-epigrams’, the photo-epigram being a image+text composite where neither element could stand on its own.)
Strock’s picture was one of those Brecht reproduced, with its original caption intact and his quatrain to it. This said, “A beach was obliged to dye itself red with blood./ It belonged to neither of them./ They were, so it is said, forced to kill each other./ I believe it, I believe it. I just want to ask: by whom?”
“By whom?” raised the question of agency in war. At one level, every act of killing presupposed a consciousness fully aware of what it was doing. At another, wars themselves were the outcome of more powerful forces at work where ‘agency’ was both multilayered (businessmen, politicians, etc.) and carefully hidden. “[T]he last line of the quatrain makes clear all that the original Life caption had sought to conceal: an awareness of agencies—be they economic forces or individual politicians —that ‘force’ people to kill each other”.
In a brilliant essay on the scepticism with which Brecht viewed photography J. J. Long wrote, “Life depended for its commercial success on selling advertising space, the cost of advertisements being proportional to the circulation of the magazine. So its selection of images and its captions clearly had to be designed to be palatable to a broad cross section of the American wartime public. This accounts for the composition of the image, in which the massive figure of the GI looms over the prone and slight figure of the Japanese, whose body leads the eye toward further corpses lying in the sand and, finally, to the open door of the landing craft from which the Japanese had allegedly been firing. It is also notable that there is no visible triumphalism in the American’s stance. On the contrary, his bowed head and massive size in comparison with his Japanese adversary lend a singular pathos to the representation of death in battle. This is accompanied by the ethical dimension implied by the passive voice: the soldier was ‘forced to shoot’ the Japanese, the implication being that he had not wished to. The overall logic of the caption thus appeals to the pragmatic imperatives of the battlefield (if you don’t shoot, you get shot) as a means of justifying violence and assuaging any guilt that might have been felt by the consumers of the image on the home front”. Thus Long suggests that the caption “provides a sufficient rationale for killing, even though killing is itself regrettable. The Life caption thus presupposes an acceptance of the ideology of war, whereas Brecht sets out to call that ideology into question”.
In his “Notes on the pictures” commentary on his selection of photos of the war in the Pacific, Brecht drew attention to the wider context of the war in terms of “colonial competition, with the European colonial powers being ousted from the Pacific by a different colonial power in the form of Japan. The endnote also seeks to account for the brutality of the combat in terms of purely American racism”. Brecht wrote, “Japan set out to overthrow the white colonial rulers in Asia and the Pacific and to exploit the natural resources itself. The war was now being fought right across the Pacific. After initial victories, the Japanese troops had to surrender one island after another. The fighting was cruel. The American soldiers, encumbered with racial prejudice, regarded the Japanese as inferior beings and behaved accordingly”.
Every photograph is the site of an “ideological” battle where different meanings compete with no obvious resolution. Long concludes that the two discourses (Life’s and Brecht’s) “exist in a mode of unresolved competition”. (Consider the ludicrous photos of a political leader who gazes at an eclipse with his Maybach glasses on display; feeds peacocks at a time when millions of jobs have been lost; strolls through a tunnel with several changes of clothing, etc. It would be impossible to argue that these images evoke the same reactions in the tens of thousands of people consuming them.)
It has been a long time since I have written a mass
letter. Since the last time I sent one, I have moved to
Atlanta, finished my fellowship with Project South,
will be publishing a 100-page report on the history and law
of U.S. government surveillance over the last century later
this month, and have begun setting up a private law practice
that takes civil rights cases. I am working on police
misconduct and shootings, discrimination in leasing, and
free speech cases. I am also representing people who were
arrested during the recent and ongoing mass rebellion
against racist state violence. I am planning to send you
a longer update soon, but in the meantime, I wanted to
draw your attention to this virtual event today/Saturday
afternoon: https://www.facebook.com/events/662991181011129
This virtual gala, in which I will be speaking at roughly
1:30PM Eastern, is being held by the Coalition for Civil
Freedoms. The Coalition for Civil Freedoms was set up by the
family members of people who were targeted and entrapped by
the so-called U.S. "War on Terrorism", which is now being
escalated by the Trump Administration to target Black Lives
Matter protesters. The Coalition for Civil Freedoms is an
organization I have now been working with lo-bono for over a
year.
I received my first real legal victory
through the
Coalition earlier this year. In July, I was
able to obtain the release
from federal custody of a Muslim community member that
was ensnared into a terrorism sting.
My client, Mr. Hassoun, survived several wars as a child,
including the Israeli bombardment of Lebanon in 2006, before
he came to the U.S. as a teen; at some point, a federal
agent realized he was a vulnerable target and essentially manipulated him
into carrying out various steps of a bomb plot by
taking advantage of his childhood trauma and associated
psychological problems. I was able to successfully argue
that a rare genetic condition put Mr. Hassoun
in particularly grave circumstances in prison given the
epidemic, and that the sentencing judge ought to release him
on Compassionate Release. He was released into immigration
custody this summer and will be back in Lebanon as a free
person later this month. I am currently working on a similar
case through the same organization.
Naturally, the Coalition is very dear to my heart.
They will be hosting a day-long gala tomorrow/today,
Saturday, 10/10/20, from 1PM to 7PM Eastern. The gala will
feature the voices of some of our time's greatest,
including Noam Chomsky, Glenn Greenwald, Dr. Cornel West,
as well as many of the family members of currently
incarcerated victims of the "War on Terrorism". A full
list of speakers is here. Please
consider tuning in for
the gala, in whole or in part, and possibly making a donation.
Il giorno 9 ott 2020, alle ore 22:51, Louis Proyect <lnp3@...> ha scritto:
I get a chuckle out of Michael Roberts and others
pointing to China's powerful SOE sector as proof that it still
not capitalist. Take a gander at Harbin Pharmaceutical's
headquarters and tell me that this is what Karl Marx had in
mind.