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H-Net Review [H-Albion]: Leask on Coltman, 'Art and Identity in Scotland: A Cultural History from the Jacobite Rising of 1745 to Walter Scott'
Andrew Stewart
---------- Forwarded message --------- From: H-Net Staff via H-REVIEW <h-review@...> Date: Mon, Jul 27, 2020 at 4:33 PM Subject: H-Net Review [H-Albion]: Leask on Coltman, 'Art and Identity in Scotland: A Cultural History from the Jacobite Rising of 1745 to Walter Scott' To: <h-review@...> Cc: H-Net Staff <revhelp@...> Viccy Coltman. Art and Identity in Scotland: A Cultural History from the Jacobite Rising of 1745 to Walter Scott. Cambridge Social and Cultural Histories Series. Cambridge Cambridge University Press, 2019. Illustrations. xviii + 302 pp. $99.99 (cloth), ISBN 978-1-108-41768-6. Reviewed by Nigel Leask (University of Glasgow) Published on H-Albion (July, 2020) Commissioned by Jeffrey R. Wigelsworth Viccy Coltman's book tackles the issue of Scottish national identity (prickly as a thistle) in visual and material culture, from Culloden to the death of Jacobitism's most celebrated elegist, Sir Walter Scott. Coltman, who is a professor of art history at the University of Edinburgh with a particular interest in portraiture, sets out to question an essentialist notion of a "Scottish School of painting" as a unified national tradition based on vaguely defined ethnic characteristics (p. 16). Underlining the role of Scots in establishing _British_ identity in the century after union (a by-now familiar argument), Coltman draws on a wide range of theoretical perspectives, while expressing reservations with some postmodernist theories of identity. For instance, Linda Colley's influential _Britons: Forging the Nation_ (1992) was a model for this kind of Scoto-British historiography, but Coltman is critical of Colley's overdependence on binary oppositions: "self-definition depends on antithesis, identity on counter-identity" (in other words, Protestant English, Scots, and Welsh "Britons" defining themselves against Catholic French or Spanish "others") (p. 6). Citing Dror Wahrman's thesis in _The Making of the Modern Self _(2004), Coltman offers a messier but more historically nuanced picture, accepting Wahrman's notions of gender and class but adding diverse national, occupational, and political attributes of identity. Approaching the question through visual culture, she claims, will "invest 'the old epistemology of identity' with a renewed analytic purchase that embraces different regimes of representation and alternative taxonomies" (p. 12). Most of the book is dedicated to the analysis of images and objects (lavishly illustrated, it contains thirty-three colored plates): but Coltman has also delved deep into the literary archives to draw on contemporary correspondence and travel accounts that provide a crucial commentary on the "silent witnesses" of images and objects. Part 1 is divided into three chapters addressing the artistic construction of Scottish identity in Europe, in London, and in colonial India. The first chapter, on portraits of aristocratic and gentlemanly Scots on the Grand Tour, opens with a discussion of Pompeo Batoni's marvelous 1766 portrait of the swaggering, be-kilted Col William Gordon, featured on the cover of Coltman's book (also a poster boy for the National Museum of Scotland's recent _Scotland Wild and Majestic _show). As well as the Batonis, there is some purposeful analysis of bodily pose and sartorial style in portraits of touring Scots like James Boswell, Dr. John Moore and the Duke of Hamilton, Lord Hope, and the Earl of Breadalbane. Mrs. Piozzi (Hester Lynch Piozzi) described Scottish Grand Tourists as a "national phalanx" always on the lookout for their fellow countrymen, but Coltman prefers to emphasize the tour's supplemental role in initiating young elite Scots into British, and indeed European, identities (p. 23). Chapter 2 turns to Scots in London, opening with analysis of Richard Newton's racialist satires "A Flight of Scotchmen" and "Progress of a Scotchman," a reminder that the "national phalanx" was also a protective gesture in the Scotophobic metropolis around the time of Bute's administration. Her fine-grained account of the Perthshire architect George Steuart's London career reveals the limits of national partisanship, as Steuart's commissions for his patron the Duke of Atholl aroused the rivalry of the Scottish brothers Robert and James Adams, "the Adelphi." Professional rivalry here outweighed the sort of Caledonian partisanship that threatened Newton. In perhaps the strongest chapter in her book, Coltman shows the important role played by London in the mid-eighteenth century's "discovery of Scotland," not only by English or Welsh traveler/artists like Thomas Pennant but also by native Scots like George and his brother Charles Steuart, who was commissioned in the 1760s to paint an astonishing series of waterfall views in the dining room at Blair Castle (p. 67). The chapter ends with a meticulously researched account of the rebranding of the duke's picturesque Dunkeld Hermitage as "Ossian's Hall" in the early 1780s, making it the leading attraction on the Highland "petit tour." Steuart's painting of the blind Gaelic bard parted at the tug of a pulley, opening upon a vertiginous mirror chamber of colored glass, reflecting the spectacular falls of the Black Lynn. Excavating Steuart's correspondence with the 4th Duke, Coltman also describes the creation of the custom-made, lyre-backed "Ossianic" furniture manufactured in London and shipped to the Highlands. The familiar story of Anglo-Scottish jealousy needs to be balanced by a "reciprocal traffic of cultural exchange" between London and Scotland, marked by the rising popularity of the Highland tour in these decades (p. 103). Chapter 3 travels east to colonial Bengal, focused on Johann Zoffany's portrait of "Claud and Boyd Alexander with an Indian Servant," painted in the early 1780s. Mining Alexander's correspondence, the chapter traces Claud's rise from a humble clerk in the East India Company's accountancy office to paymaster general. Claud's multiple identities in India overlap as a Scot, a Briton, a European, etc.: but the zenith of his fortune saw his return to Scotland in 1786 as a wealthy "Nabob," and his purchase of the Ayrshire estate of Ballochmyle from Sir John Whitefoord, an impoverished scion of Scotland's traditional gentry. In fact, Claud had purchased the estate in 1783, and Zoffany's portrait depicts him with his brother Boyd at the moment they received the letter from home confirming the Ayrshire purchase, framing the transformation of colonial loot into social capital back home. The chapter ends with a discussion of Claud's establishment of a cotton-spinning factory at Catrine in partnership with David Dale, an instance of a personal fortune amassed in the colonies being invested in local "improvement" (122-23). Coltman misses an interesting Robert Burns connection here, though, relating to the Ayrshire Bard's song "The Bonny Lass o' Ballochmyle," addressed to Claud's daughter Wilhelmina. Burns's amorous advances (and epistolary approaches) spurned by the Alexanders, he commented waspishly on the family's _arriviste_ status: "ye canna mak a silk-purse o' a sow's lug" (you can't make a silk purse out of a sow's ear). The second part of the book turns to some more familiar aspects of Scottish art and identity in the period. Chapter 4 addresses Jacobite material culture, necessarily drawing on the exhaustive scholarship of Murray Pittock and Neil Guthrie. Coltman focuses on a fascinating medley of Jacobite objects, including textile relics, engraved glasses, punch bowls, and jewelry, mainly held in the collection of the National Museum of Scotland. (In places the writing here succumbs to jargon: "an articulated bodyscape embodying the objectscape that is Jacobite material culture" [p. 145].) She refers to the Manchester provenance of a number of Jacobite mementos, with the suggestion that this would warrant further investigation. (The city was in fact a hub of English Jacobitism, where the "Manchester Regiment" was raised on November 29, 1745, under the command of Col Francis Townley. As English rebels, the Mancunians suffered particularly severe punishment after the collapse of the Rising, nearly all the officers and men being executed, and the three hundred or so men of the regiment transported to the colonies.) Chapter 5 offers an illuminating account of "the King's Jaunt," George IV's state visit to Edinburgh in 1822 staged-managed by Sir Walter Scott. Drawing on rich visual documentation by Alexander Carse, J. M. W. Turner, David Wilkie, and J. W. Eubank, Coltman seeks to position the royal visit in what Peter de Bolla calls "the domain of the scopic" (p. 179). There is also some great analysis of caricature by Charles Williams and George Cruikshank, who parodies Henry Raeburn's striking contemporary portraits of Highland chiefs, and the obese Hanoverian king's unfortunate experiment with the kilt, formerly a symbol of Jacobitism. The book's final two chapters turn to the architect of the royal visit himself, Sir Walter Scott, who had been painted a staggering fifty-two times by his death in 1832, making him the most widely portrayed figure of his age after the Duke of Wellington. Coltman also addresses the illustrations of Scott's hugely popular poems and novels, as a writer whose success was considered to depend in part on the intensely pictorial (or "picturesque") quality of his narrative style. Between 1805 and 1870, over three hundred artists exhibited more than one thousand "Scott-related works in portraiture, genre scenes, literary or historical subjects" (p. 223). She plausibly discovers in this huge body of work the origins of the idea of a "Scottish School of painting" disputed in her introduction, a "hoary canon" owing more to romantic aesthetics and Scott's fiction than to any transhistorical qualities of Scottish creativity (p. 203). Throughout the book Coltman is at her critical best in discussing portraiture, and she devotes the latter half of the chapter to physiognomy rather than topography, partly because Turner's illustrations of Scott's writings have been recently studied by Gillen D'Arcy Wood and Sebastian Mitchell. She convincingly demonstrates (contrary to Wood) Scott's keen sensibility to visual culture, manifest in the pains he took to orchestrate portraits of himself in the guise of a "Borders Bard" at home in his "pic-nic dwelling" of Abbotsford. She analyzes Sir William Allen's portrait of Scott in his study, surrounded by his "gabions" or antiquarian knick-knacks, pouring over Mary Queen of Scots' proclamation of her marriage to Darnley (p. 250). The book's brief conclusion addresses the genesis of the Scott Monument in Edinburgh, a Gothic extravaganza commemorating the "the wizard of the north," consecrating his native land as "Scott-land," the perfect emblem of Scottish "art and identity" (pp. 258-59). But this romantic image is, as the final pages underline, a treacherous indicator of the nation's cultural identity, even if it did buttress the myth of "a Scottish school of art." Coltman prefers to propose "a national identity which was superseded and enhanced in alternative geographical contexts ... the multiple, processual identities for Scots and Scotland that proliferated within representation between 1745 and 1832" (p. 262). Coltman's book is an illuminating and entertaining contribution to the study of Scottish visual culture, opening the ongoing debate about Scottish identity to cosmopolitan and colonial influences, and widening the range of critical perspectives brought to bear upon it. Citation: Nigel Leask. Review of Coltman, Viccy, _Art and Identity in Scotland: A Cultural History from the Jacobite Rising of 1745 to Walter Scott_. H-Albion, H-Net Reviews. July, 2020. URL: https://www.h-net.org/reviews/showrev.php?id=54984 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. -- Best regards, Andrew Stewart
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Tom Cotton's Slave-Owning Ancestors - Historic.ly
Louis Proyect
Tom Cotton feels very strongly that 1619 project should not be used to teach kids.He has sponsored a bill that cuts funding to using the 1619 project to teach kids. Is an ulterior motive for Tom Cotton to not want anyone to learn the truth about slavery?
If we dig into records of slave ownership, we can see that Tom Cotton’s family owned slaves. https://historicly.substack.com/p/tom-cottons-slave-owning-ancestors
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Clash of the Historians: Paper on Andrew Jackson and Trump Causes Turmoil
Louis Proyect
NY Times, July 27, 2020
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Re: Tom Cotton's Slave-Owning Ancestors - Historic.ly
wytheholt@...
We're all dismissed as promoting "neo-Marxist propaganda". It really gets "them" that -- despite decades of trying -- they cannot get rid of Marx, citations to Marx, Marxist analysis, and homage to the great man himself. It's not just the realities of slavery; it's the approach we take to history that yanks their chains. It is Tom Cotton's ideas and themes that should not be used to teach kids.
toggle quoted messageShow quoted text
On July 27, 2020 at 7:53 PM Louis Proyect < lnp3@...> wrote:
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“Trump Could Not Be More on the Wrong Side”: New Poll Shows Trump’s Black Lives Matter Protest Response Could Cost Him 2020 | Vanity Fair
Louis Proyect
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The Reactionary Grift of the Dirtbag Left | www.splicetoday.com
Louis Proyect
Chapo and its imitators look lazier and more useless every day.
https://www.splicetoday.com/politics-and-media/the-reactionary-grift-of-the-dirtbag-left
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GOP senator apologizes for ad that digitally enlarged his Jewish opponent’s nose – Raw Story
Louis Proyect
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Labor and Working class historians . . . .
Mark Lause
---------- Forwarded message --------- From: Mark Lause <markalause@...> Date: Mon, Jul 27, 2020 at 11:24 PM Subject: Call for entries . . . . To: Chad Pearson <chadepearson@...> Cc: Jim O'Brien <jimobrien48@...>, Kyle Wilkison <kwilkison1960@...>, Dave Anderson <davida@...>, Nate Holdren <nateholdren@...>, Marc Stern <mstern@...>, Michael Wise <mikewise82@...>, Roberto Calderon <beto@...>, Noah Schaffer <noahschaffer@...>, C.A. Pomerleau <capomerleau@...>, Sandra Shattuck <sdshattuck@...>, Luis Plascencia <plascencia.lfb@...> <plascencia.lfb@...>, James Livingston <jameslivingston49@...>, David Cullen <dcullen@...>, Keith Volanto <kvolanto@...>, Roger Ward <rward@...>, Kwinn Doran <ekdoran@...>, evanlampe@... <evanlampe@...>, Steph Waring <not2technopathic@...>, Rosemary Feurer <rosefeurer@...>, John Michael Hoenig <jhoenig@...>, kerileighm@... <kerileighm@...>, ralegre_2000@... <ralegre_2000@...>, Michael F. Thompson <michaelft@...>, Jon Clark <jonclark500@...>, Jessica Powers <jlpowers@...>, Brian Peruch <brianperuch@...>, rachleff@... <rachleff@...>, Rebecca Hill <redbecca@...>, 32dna . <deborah.armintor@...>, Stephen Allen <stephen.allen27@...>, Andy Burns <andy7734@...>, Robert Buzzanco <buzzanco@...>, Greg Swedberg <greg.swedberg@...>, john marciano <johnmarciano@...>, Tom Alter <tomalter1917@...>, Sam Mitrani <vdmitran@...>, Thomas Klug <taklug@...>, MRB <mbotson@...>, Jeremy Kuzmarov <jkuzmarov2@...>, hthompsn@... <hthompsn@...>, Ahmed A White <ahmed.white@...>, Jeff Perry <jeffreybperry@...> ----- Forwarded Message -----
From: William Jones <wpjones@...>
To: lawcha-list@... Sent: Mon, 27 Jul 2020 13:23:55 -0400 (EDT) Subject: Call for Entries: 2021 David Montgomery Prize for Best Book in American Labor and Working-Class History Please help spread the word about this call for entries for the 2021 David Montgomery Prize for Best Book in American Labor and Working-Class History,
which is awarded annually from the Organization of American Historians
(OAH) and the Labor and Working-Class History Association (LAWCHA). The deadline is October 1, 2020, and entries must have been published between Jan. 1, 2020 and December 31, 2020. Thank you and best wishes, Will
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Re: “Trump Could Not Be More on the Wrong Side”: New Poll Shows Trump’s Black Lives Matter Protest Response Could Cost Him 2020 | Vanity Fair
Michael Meeropol
Read the article --- it doesn't measure whether by creating REAL violence, Trump's use of troops might move some of the PERSUADABLES back to his side as evidence of real violence (no matter how few individuals participate in it) makes Trump's case ....
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Re: GOP senator apologizes for ad that digitally enlarged his Jewish opponent’s nose – Raw Story
Michael Meeropol
well -- there are so few Jews in Georgia and they're all democrats, right? (Nixon said all Jews were left wing!! ---- as my Yiddish speaking relatives would say, "H'alavai!" --- silent "H")
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Indian-Occupied Kashmir: Resistance in the Concentration Camp
RKOB
Indian-Occupied Kashmir: Resistance in the Concentration Camp On the first anniversary of the abolition of Kashmir’s constitutional autonomy by the Modi government by Michael Pröbsting, 28 July 2020 -- Revolutionär-Kommunistische Organisation BEFREIUNG (Österreichische Sektion der RCIT, www.thecommunists.net) www.rkob.net aktiv@... Tel./SMS/WhatsApp/Telegram: +43-650-4068314
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Leading voice on welfare reform accused of racism
Louis Proyect
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Review of “Capital, Nature, and the Unfinished Critique of Political Economy: Karl Marx’s Ecosocialism” by Kohei Saito – Houston Review Of Books
Louis Proyect
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When the US Government Went After Anti-Nazi Hollywood - Los Angeles Review of Books
Louis Proyect
LARB presents an excerpt from Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures (University Press of Mississippi, 2020).
https://lareviewofbooks.org/article/when-the-us-government-went-after-anti-nazi-hollywood/
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The Second Founding: How the Civil War and Reconstruction Remade the Constitution
Louis Proyect
LRB, Vol. 42 No. 15 · 30 July 2020
Racist Litter Randall Kennedy The Second Founding: How the Civil War and Reconstruction Remade the Constitution by Eric Foner. Norton, 288 pp., £18.99, October 2019, 978 0 393 65257 4 In may 1987, as part of the festivities marking the 200th anniversary of the United States constitution, Thurgood Marshall, the first African American to sit on the US Supreme Court, delivered a hugely controversial speech. Noting the quasi-religious reverence in which the framers of the constitution are held in America, Marshall expressed some scepticism about routine proclamations of their ‘wisdom, foresight and sense of justice’. The Founding Fathers, he pointed out, couldn’t have been so very enlightened and far-sighted: after all, the slavery they tolerated caused untold suffering, and ended in a civil war that claimed 600,000 lives. ‘While the Union survived the Civil War,’ he said, ‘the constitution did not. In its place arose a new, more promising basis for justice and equality.’ That new, more promising regime was Reconstruction, an array of reforms undertaken between 1863 and 1877 to refashion a fractured nation. In 1863 Abraham Lincoln issued the Emancipation Proclamation, which freed all slaves then resident in jurisdictions involved in the rebellion against the federal government. Until this point, Lincoln had gone out of his way to make clear that in resorting to arms the federal government sought merely to suppress the uprising of the Confederacy, the 11 states that attempted to secede in 1861 in order to ensure the perpetuation of their ‘peculiar institution’: racial slavery. The leaders of the Confederacy, explicitly repudiating Thomas Jefferson’s declaration that ‘all men are created equal,’ had committed themselves to racial hierarchy. ‘Our new government ... rests,’ the Confederate vice president, Alexander Stephens, observed, ‘upon the great truth that the negro is not equal to the white man; that slavery subordination to the superior race is his natural and normal condition.’ Lincoln did not believe that the federal government had the authority to do anything about slavery in the states in ordinary circumstances. He maintained, however, that as commander-in-chief of the armed forces, he had the constitutional authority to free slaves as a war measure aimed at quelling rebellion. A sentimental glow surrounds the Emancipation Proclamation, but in fact, as the historian Richard Hofstadter once said, it possessed all the ‘moral grandeur of a bill of lading’. It contained no criticism of slavery and did not free all slaves; the legal status of at least 800,000 slaves was not affected. The proclamation did not free those held in bondage in the four slave states that remained loyal to the Union: Missouri, Delaware, Kentucky and Maryland. Nor did it free the slaves in certain Southern territories already under Union control. These rather large exemptions moved the Spectator to observe that the underlying principle of the Emancipation Proclamation was ‘not that a human being cannot justly own another, but that he cannot own him unless he is loyal to the United States’. Still, the proclamation did free more than three million slaves, and many observers felt that it transformed the war for the Union into a war for the Union and freedom. When news of the proclamation arrived in South Carolina, slaves recited prayers and sang songs including ‘My Country, ’Tis of Thee’. The proclamation announced that freedmen would now be allowed to join the United States military. Many enlisted. By the end of the Civil War 180,000 had served – about a fifth of the country’s black male population aged between 18 and 45. In the Revolutionary War of 1775-83, when the 13 American colonies sought to secede from Britain, most African Americans who took up arms did so on behalf of King George III (having been promised emancipation for doing so). By contrast, in the Civil War, the overwhelming majority who took up arms fought for the United States (the Confederacy having stubbornly resisted proposals to arm slaves until the very eve of its collapse). Although Lincoln planned to readmit the Confederate states into the Union quickly, on generous terms, he also seemed open to granting the vote to some black men – ‘the very intelligent and ... those who serve our cause as soldiers’. When the actor John Wilkes Booth heard that remark he warned: ‘That means nigger citizenship! Now, by God, I’ll put him through. That is the last speech he will ever make.’ Three days later, on Good Friday, Booth made good on his threat, shooting Lincoln at Ford’s Theatre in Washington DC. Lincoln’s successor, Andrew Johnson, was a fierce racist who militantly opposed giving African Americans an equal legal status to whites. He supported the ending of slavery but wanted blacks to be confined to a subordinate caste. That is one of the reasons Radicals in the Republican Party – Lincoln’s party – despised Johnson, who was a Democrat, and attempted to remove him from office by impeachment. Johnson survived – he escaped conviction by one vote – but the Republicans succeeded in enacting civil rights legislation despite his opposition. The Republicans also put the former Confederate states under military rule, stipulating that they would not be allowed to become self-governing and rejoin the Union until they permitted black men to participate in politics on the same basis as white men. The pariah states acceded, with remarkable results. ‘You never saw a people more excited on the subject of politics than are the negroes of the South,’ one planter observed. ‘They are perfectly wild.’ Blacks enrolled in organisations such as the Union League, which encouraged political education through speeches and debates. They petitioned local authorities; they attended Republican rallies and conventions; they voted and ran for office even in the face of violent opposition from resentful whites, who were appalled by the prospect of blacks, including former slaves, taking part in governance. Between 1870 and 1877, 16 blacks were elected to Congress, 18 to positions as state lieutenant governors, treasurers, secretaries of state or superintendents of education, and at least six hundred to state legislatures. Blacks never had decisive control over any state government, not even in Mississippi or South Carolina, where they constituted a majority of voters. But for a short period they wielded sufficient power in substantial parts of the South to insist on the establishment of public education, laws relatively favourable to workers, debtors and tenants, and prohibitions against various sorts of racial discrimination. Reconstruction’s most durable and consequential achievements were three amendments to the federal constitution that remain in force today. The Thirteenth Amendment went beyond the Emancipation Proclamation by abolishing slavery throughout the United States (‘except as a punishment for crime’). The Fourteenth Amendment created a constitutional definition of citizenship, declaring that anyone born in the United States (under its jurisdiction) automatically becomes a citizen. That amendment, the wordiest in the constitution, also imposed a new set of duties on states, requiring them to refrain from abridging the privileges or immunities of citizens; from depriving any person of life, liberty, or property without due process of law; and from denying to any person the equal protection of the laws. The Fifteenth Amendment declares that the right of citizens to vote shall not be denied by the United States or by any state ‘on account of race, colour or previous condition of servitude’. Each of these amendments contained a provision authorising Congress to enforce it by ‘appropriate legislation’. Reconstruction was under attack from the outset. There was never a consensus on its legitimacy, and in the end it sank under the weight of racism, indifference, fatigue, administrative weakness, economic depression, the ebbing of idealism, and the toll exacted by terrorism, as its enemies resorted to rape, mutilation, beating and murder to intimidate blacks and their white allies. In 1870, when an African American called Andrew Flowers prevailed over a white candidate for the position of justice of the peace in Chattanooga, Tennessee, he received a whipping at the hands of white supremacists affiliated with the Ku Klux Klan. ‘They said they had nothing particular against me,’ he testified, ‘but they did not intend any nigger to hold office in the United States.’ That same year in Greene County, Alabama armed whites broke up a Republican campaign rally, killing four blacks and wounding 54 others. In 1873 in Colfax, Louisiana black Republicans and white Democrats both claimed the right to govern. When the whites prevailed in battle they massacred fifty blacks as they tried to surrender. The era was dense with such atrocities. By 1877 every Southern state had been ‘redeemed’ – that is, was under the control of people who aimed to reimpose the norms of white supremacy. Enemies of Reconstruction removed blacks as a factor in politics and consigned them to a degraded position within a rigid pigmentocracy. The constitutional amendments survived untouched. But, at least with respect to racial matters, they were narrowly construed, if not ignored altogether. By 1900 Reconstruction had been demolished, an experiment almost wholly repudiated. For the first half of the 20th century, many white historians, commentators and politicians portrayed Reconstruction as a calamity that stemmed from a mistaken attempt to elevate African Americans to civil and political equality. Its ‘crusade of hate and social equality’, Claude Bowers wrote in The Tragic Era (1929), was playing havoc with a race naturally kindly and trustful. Throughout the [Civil] War, when [white] men were far away on the battlefields, and the women were alone on far plantations with slaves, hardly a woman was attacked. Then came the scum of Northern society, emissaries of the politicians, soldiers of fortune, and not a few degenerates, inflaming the negroes’ egotism, and soon the lustful assaults began. Rape is the foul daughter of Reconstruction. Bowers’s sensational rendition mirrored the depiction of Reconstruction offered by leading academics such as William Dunning of Columbia University, who served as president of both the American Historical Association and the American Political Science Association. ‘The negro,’ Dunning wrote in Reconstruction, Political and Economic, 1865-77 (1907), had no pride of race and no aspiration or ideals save to be like the whites. With civil rights and political power, not won, but almost forced upon him, he came gradually to understand and crave those more elusive privileges that constitute social equality. A more intimate association with the other race than that which business and politics involved was the end toward which the ambition of the blacks tended consciously or unconsciously to direct itself. The manifestations of this ambition were infinite in their diversity. It played a part in the demand for mixed schools, in the legislative prohibition of discrimination between the races in hotels and theatres, and even in the hideous crime against white womanhood which now assumed new meaning in the annals of outrage. This pejorative interpretation of Reconstruction performed important ideological work. It justified keeping blacks in their place by painting a frightening picture of what had happened when they last had civic equality and participated in governance. Racial liberals – including most black historians and, in the 1920s, 1930s and 1940s, a small number of white historians – stressed that democracy had been enlarged during Reconstruction, public schooling improved and labour rights strengthened. They refuted allegations that black politicians and their white ‘carpetbagger’ and ‘scalawag’ allies had been unusually corrupt and incompetent. They emphasised the illegality and immorality of the means used to topple Reconstruction. The outstanding effort was W.E.B. DuBois’s sweeping, Marxian revisionist account, Black Reconstruction in America, 1860-80 (1935). Thirty years later, in 1965, the white historian Kenneth Stampp published The Era of Reconstruction: after that, most leading historians ceased to disparage Reconstruction. Stampp’s volume appeared the year the Voting Rights Act was passed, removing the most glaring racist impediments to suffrage. The increasing legitimacy of revisionist accounts of Reconstruction was reflected in and reinforced by the Civil Rights movement. When a federal court ruled in favour of black plaintiffs challenging racial segregation on buses in Birmingham, Alabama, a white supremacist judge, citing Bowers’s The Tragic Era, urged his colleagues to recall the lessons of Reconstruction, a ‘period which all Americans recall with sadness and shame’. By then, however, growing numbers of Americans were thinking of Reconstruction with a new respect. In 1988 Eric Foner published Reconstruction: America’s Unfinished Revolution, 1863-77, a grand narrative built on ground largely cleared of the racist litter left by previous scholars. It is a stupendous scholarly achievement: eloquent, accessible, punctiliously accurate, marvellously detailed, bristling with insight, conscious of broad economic, social and cultural forces, alert to personal quirks, and attentive to the ideas and activities of the actors – often women and racial minorities – historians often marginalise or ignore. For thirty years it has remained the leading work of Reconstruction historiography, despite ideological disputes and changes in methodological fashion. In The Second Founding: How the Civil War and Reconstruction Remade the Constitution, Foner narrows his focus to the key legal transformations of the era. He argues that the Reconstruction Amendments ‘should not be seen simply as an alteration of an existing structure but as a ... “constitutional revolution” ... that created a fundamentally new document with a new definition of both the status of blacks and the rights of all Americans’. Much of American history has been shaped by struggles over these amendments and whether they should be seen as mere ‘alterations’ or as a fundamental remaking of the Founding Fathers’ handiwork. Conservatives tend to take the former view, liberals the latter. One reason this struggle has been so intense is that each side can adduce facts, ideas, sentiments and historical developments that support their position. Foner supports the liberal position. He emphasises the gulf that separates life in America before the Reconstruction Amendments from life afterwards, particularly in its racial aspects. Before Reconstruction, the civil liberties enshrined in the constitution placed limits on the federal government, but not on individual states. The constitution aimed primarily to prevent the federal government encroaching on individual liberty, including the freedom to own slaves. With Reconstruction, reformers sought to empower the federal government to guarantee the rights afforded by the three new constitutional amendments, as well as the older rights some saw as being incorporated into the new regime. These older rights were contained in the first ten amendments to the constitution. Sometimes referred to as the Bill of Rights, these amendments, ratified in 1791, provided for (among other things) freedom of religion, freedom of speech, freedom to bear arms, a prohibition against quartering soldiers in homes, a right not to face unreasonable searches and seizures, and a right to speedy trial by an impartial jury. Foner doesn’t embrace Thurgood Marshall’s claim that the Civil War extinguished the constitutional regime of 1787. That assertion – wishful thinking perhaps – goes too far. For good and for bad – mostly bad – the initial constitution displayed a striking resilience, inhibiting efforts to elevate former slaves, protect them against resentful whites, or undergird their new freedom with socio-economic support. Like Marshall, however, Foner does seek to alter the general view of the Reconstruction and increase its standing. The Founding Fathers – including George Washington, Benjamin Franklin, James Madison and Alexander Hamilton – enjoy widespread, if superficial, public recognition. By comparison, key framers of the Reconstruction Amendments – James Ashley, Charles Sumner, Lyman Trumbull and Thaddeus Stevens – are obscure. Unfamiliar, too, are the origins and back stories of their constitutional handiwork, which Foner ably describes. Throughout his career Foner has championed progressive radicalism in the American political tradition. In an open letter written in 2015, he chided Bernie Sanders for invoking foreign political models, suggesting that he look instead to American reformers such as Frederick Douglass, Abby Kelley, Eugene Debs and A. Philip Randolph. In The Second Founding, Foner returns to this theme, stressing the exceptional and innovative nature of the Reconstruction Amendments. The Thirteenth Amendment ordered emancipation without compensation and was the first occasion on which the constitution expanded the power of the federal government, creating ‘a new fundamental right to personal freedom, applicable to all persons in the United States regardless of race, gender, class or citizenship status’. Few countries, Foner observes, ‘and certainly none with as large a slave population, have experienced so radical a form of abolition’. The Fourteenth Amendment’s creation of birthright citizenship, he writes, represents ‘an eloquent statement about the nature of American society, a powerful force for assimilation ... and a repudiation of a long history of racism’. Foner stresses the speed with which the constitutional amendments elevated four million black slaves from bondage to citizenship to formal equality with whites. But The Second Founding is far from a triumphalist celebration. The sobering tale it tells has at least three tragic aspects. The first has to do with the enmity that the Reconstruction Amendments encountered from the start. Even after the defeat of the Confederacy, opposition to emancipation, much of it fuelled by Negrophobia, was sufficiently strong to prevent congressional approval of the Thirteenth Amendment the first time it was considered. Railing against the proposed amendment, Representative Fernando Wood, the former mayor of New York City, warned that it ‘involves the extermination of the white men of the Southern states, and the forfeiture of all the land and other property belonging to them’. The former Confederate states (with the exception of Tennessee) at first refused to ratify the Fourteenth Amendment. It would not have gained the approval of a sufficient number of states to become part of the constitution if the Republican Party hadn’t made ratification a prerequisite for a state’s regaining congressional representation. The second tragic aspect has to do with the amendments’ deficiencies. Consider Section 2 of the Fourteenth Amendment which provides that, with certain exceptions, when the right to vote is denied to adult males the basis of that state’s congressional representation is to be reduced. Some reformers saw this as a double betrayal: it betrayed blacks by continuing to permit states to exercise racial disenfranchisement (albeit at the cost of suffering a potential reduction in representation), and it betrayed women by introducing gender into the text of the constitution for the first time. While Section 2 supposedly penalised states for excluding men from the franchise (with black men especially in mind), it expressly permitted states to exclude women with no penalty at all. ‘If that word “male” be inserted,’ Elizabeth Cady Stanton warned, ‘it will take us a century at least to get it out.’ These days, the Fourteenth Amendment tends to be unequivocally celebrated, with little or no awareness of its compromises. When it was drawn up, however, some reformers expressed keen disappointment. It ‘falls far short of my wishes’, Thaddeus Stevens said, ‘but ... I believe it is all that can be obtained in the present state of public opinion.’ Outraged by its failure to guarantee black male suffrage, the abolitionist Wendell Phillips denounced it as ‘a fatal and total surrender’, and urged states to withhold ratification. When it was voted on by the Massachusetts legislature, its two black members rejected ratification. The Fifteenth Amendment bars states and the federal government from using race as a criterion for voting. But the version of the amendment ultimately approved was among the most restricted of the alternatives considered. One senator proposed an amendment that would have prohibited states from denying the right to vote to any adult male citizen who had not been convicted of crime or participation in rebellion. Another proposed an amendment specifying nationally uniform voting requirements. But as a result of the hostility to the prospect of unrestricted male suffrage, the framers of the amendment designed an exceedingly narrow instrument that could have been foreseen as likely to enable the disfranchisement of perceived ‘undesirables’, such as immigrants from China and Ireland. In 1870, with the abolition of slavery only five years in the past, it was evident that literacy, property and similar voting requirements could accomplish much the same ends as outright racial exclusion. Henry Adams observed mordantly that the Fifteenth Amendment was ‘more remarkable for what it does not than for what it does contain’. Complaining that the version of the amendment chosen was the ‘weakest’ considered, Senator Willard Warner argued that it was ‘unworthy of the great opportunity now presented to us’. The third tragic aspect took a while to reveal itself. Racism encumbered the Reconstruction project from the outset, but after a brief interlude of egalitarian enthusiasm that yielded impressive advances, the always fragile commitment to racial justice embraced by the Reconstruction coalition weakened precipitously. The judiciary is the branch of government Foner finds most at fault. He notes ruefully that the Supreme Court constricted the potential reach of the Thirteenth Amendment: it addressed the problem of forced labour, but not the racially stigmatising policies that continued after slavery’s demise to mark blacks as a despised minority. The court dismissed as frivolous, for example, the argument that the racial exclusion of blacks from public places – trains, hotels, theatres etc – amounted to a badge or incidence of slavery that Congress should be empowered to prohibit through the Thirteenth Amendment. The Fourteenth Amendment bars states from making or enforcing ‘any law which shall abridge the privileges or immunities of citizens of the United States’ – a formulation that might have allowed the recognition of a broad array of individual rights. The court, however, interpreted this new provision crabbily, construing it as protecting only a narrow range of activities, such as running for federal office. The amendment provides that no state shall deny to any person ‘the equal protection of the laws’. The court insisted that this new prohibition banned racially discriminatory state action but not private action. When Congress enacted legislation to punish racial aggression by private parties, the court held that such laws went beyond the authority bestowed by the Fourteenth Amendment. The court struck down, for example, a federal law that prohibited the owners of hotels, theatres, restaurants and other ‘public accommodations’ from engaging in racial discrimination. Then there was the question of what ‘equal protection of the laws’ entailed. In Plessy v. Ferguson (1896), the Supreme Court upheld the validity of a Louisiana statute that required the separation of white and black train passengers. Opponents of the law argued that it was racially discriminatory and thus a violation of the equal protection clause of the Fourteenth Amendment. In lonely dissent, Justice John Marshall Harlan asked rhetorically: ‘What can more certainly arouse race hate, what more certainly create and perpetuate a feeling of distrust between these races, than state enactments which, in fact, proceed on the ground that coloured citizens are so inferior and degraded that they cannot be allowed to sit in public coaches occupied by white citizens?’ The majority ruled, however, that the law in question was constitutionally inoffensive since it promised separate but equal accommodation for the races. If blacks felt insulted, the court declared, they were being oversensitive. Similarly disappointing to proponents of racial justice was the Supreme Court’s early treatment of the Fifteenth Amendment. In Giles v. Harris (1903), plaintiffs claimed that the state of Alabama had participated in a conspiracy to disenfranchise African Americans. In an opinion written by Justice Oliver Wendell Holmes, Jr, the court concluded that even if the allegation was true, there was nothing it could appropriately do to redress the wrong. No wonder the Harvard Law Review published an article in 1910 entitled ‘Is the Fifteenth Amendment Void?’ Some of the ground lost in the long retreat from Reconstruction was regained during the ‘Second Reconstruction’ – the period roughly between 1950 and 1970 which saw an all-out challenge to white supremacism. Legislation was enacted to prohibit racial discrimination across swathes of social activity; racial disfranchisement was attacked by a series of increasingly aggressive laws; and the Supreme Court invalidated racial segregation imposed by government across the board, from schools (Brown v. Board of Education) to the marriage altar (Loving v. Virginia). ‘The country,’ Foner writes, ‘has come a long way toward filling the agenda of Reconstruction.’ Foner qualifies this upbeat appraisal, however, with a list of significant dissatisfactions. The ‘latent power’ of the Thirteenth Amendment, he points out, ‘has almost never been invoked as a weapon against the racism that formed so powerful an element of American slavery’, and the Fourteenth Amendment’s promise has ‘never truly been fulfilled’. To make things worse, wrong-headed rulings have made it increasingly difficult for racial minorities to obtain fairness. ‘When it comes to racial justice,’ Foner writes, ‘the court has lately proved more sympathetic to white plaintiffs complaining of reverse discrimination because of affirmative action policies than to blacks seeking assistance in overcoming the legacies of centuries of slavery and Jim Crow.’ Most distressing of all, to his mind, is the perilous position of the Fifteenth Amendment: ‘To this day the right to vote remains the subject of bitter disputation.’ The most disturbing recent episode was Shelby County v. Holder (2013), in which the Supreme Court eviscerated a key provision of the Voting Rights Act that tamped down voter suppression schemes. Since then, such schemes have spread alarmingly. Acting strictly along party lines in states it controls, the Republican Party – which has increasingly become the white man’s party – enacts legislation that makes it more difficult for certain sectors of the population to register to vote. Asserting that such laws are required to stem fraud (a claim that has been repeatedly discredited), the Republicans impose new requirements that invariably and invidiously disqualify racial minorities in disproportionate numbers. They also reduce early voting, eliminate state-supported voter registration drives, and systematically purge people from registration lists for spurious reasons. Reflecting on Shelby County, Foner complains that when conservative jurists discuss the allocation of authority between central and state government, ‘they almost always concentrate on the ideas of 18th-century framers, ignoring those of the architects of Reconstruction.’ The Second Founding exhibits the sterling qualities we have come to expect in Foner’s scholarship, particularly the careful, nuanced judgments. Resisting the overwrought pessimism currently fashionable in some parts of the left, he highlights a remarkable episode in which progressive change erupted unexpectedly. Who could have imagined in 1860 that within a decade an African American would replace the defeated president of the Confederacy as the representative of Mississippi in the Senate? But Foner also insists on recognising the strong pull of racism in American affairs. ‘Rights can be gained,’ he observes, ‘and rights can be taken away. A century and a half after the end of slavery, the project of equal citizenship remains unfinished.’
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Re: Leading voice on welfare reform accused of racism
Michael Meeropol
THis takes me back to that wonderful series of articles published in book form called THE MEAN SEASON ---- I believe it was published in1987 in response to the Reagan ADministration's demonization of "welfare queens" and a popular prejudice against people utilizing the old AFDC program --THe work was a collaborative of Fran Piven, Richard Cloward, Fred Block (and Barbara Ehrenreich I think as well). The lead article, THE CONTEMPORARY RELIEF DEBATE was my touchstone for refuting the nasty "arguments" of people like Lawrence Mead and other "theorists." In the context of LOUSY racist arguments, the best response is not punishment but refutation --- The answer, for example, to Charles Murray about poor people (of color) is the work of Stephen J. Gould, not silencing --- My attitude has always been that these bastards have to be exposed and that means what they say HAS to see the light of day to make sure it isn't convincing --- (as an aside, Mead's argument FALLS interestingly before Murray's own research. SInce Murray blamed welfare POLICIES for poverty he began to argue (in the 1980s? 90s?) that white "family dysfunction" (=single parenthood, long term dependency) was RISING --- how does that square with Mead's analysis based on "european" vs. "African" culture?? (and are Latinos "stamped" because of "indigenous culture" overwhelming their European roots??)
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Education Dept.’s Civil Rights Chief Steps Down Amid Controversy
Louis Proyect
NY Times, July 28, 2020
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History Professor shot in head by Trump's goons in Portland!
Dennis Brasky
Professor Maureen Healy is the chair of the History Dept at Lewis and Clark College. She teaches Modern European History, specializing in the history of Germany & Eastern Europe (and the rise of fascism). She was shot in the head by fed agents on Monday night in Portland and is recovering from the injury and the concussion. She's given her permission to share this Statement by Maureen Healy, July 22, 2020 Since June, I've been attending peaceful protests in Portland neighborhoods in support of Black Lives Matter. I have gone with family and friends. I am a 52-year-old mother. I am a history professor. I went downtown yesterday to express my opinion as a citizen of the United States, and as a resident of Portland, Oregon. This is my home. I was protesting peacefully. So why did federal troops shoot me in the head Monday night? I was in a large crowd of ordinary folks. Adults, teens, students. Moms & dads. It looked to me like a cross-section of the City. Black Lives Matter voices led the crowd on a peaceful march from the Justice Center past the murals at the Apple store. The marchers were singing songs, chanting, & saying names of Black people killed by police. We observed a moment of silence in front of [the] George Floyd mural. I wanted to, & will continue to, exercise my 1st Amendment right to speak Federal troops have been sent to my city to extinguish these peaceful protests. I was not damaging federal property. I was in a crowd with at least 1,000 other ordinary people. I was standing in a public space. In addition to being a Portland resident, I am also a historian. My field is Modern European History, with specialization in the history of Germany and Eastern Europe. I teach my students about the rise of fascism in Europe. By professional training and long years of teaching, I am knowledgeable about the historical slide by which seemingly vibrant democracies succumbed to authoritarian rule. Militarized federal troops are shooting indiscriminately into crowds of ordinary people in our country. We are on that slide. It dawned on me in the ER, when I had a chance to catch my breath (post tear gas): my government did this to me. My own government. I was not shot by a random person in the street. A federal law enforcement officer pulled a trigger that sent an impact munition into my head. After being hit I was assisted greatly by several volunteer medics. At least one of them was with Rosehip Medic Collective. To take shelter from the teargas I was hustled into a nearby van. Inside they bandaged my head & drove me several blocks away. From there my family took me to the ER. I am grateful for the assistance, skill, and incredibly kind care of these volunteer medics. We must take this back to Black Lives Matter. Police brutality against Black people is the real subject of these peaceful protests that have been happening in my city and across the country. What happened to me is nothing compared to what happens to Black citizens at the hands of law enforcement, mostly local police, every day. And that is why we have been marching. That is why I will continue to march. Please share this story widely.
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Re: GOP senator apologizes for ad that digitally enlarged his Jewish opponent’s nose – Raw Story
Dennis Brasky
When I read this, I asked myself - "Really?? In 2020??? Then I recalled Trotsky's brilliant analysis of fascism -
"Fascism has opened up the depths of society for politics. Today, not only in peasant homes but also in city skyscrapers, there lives along side of the twentieth century the tenth or the thirteenth. A hundred million people use electricity and still believe in the magic power of signs and exorcisms. The Pope of Rome broadcasts over the radio about the miraculous transformation of water into wine. Movie stars go to mediums. Aviators who pilot miraculous mechanisms created by man’s genius wear amulets on their sweaters. What inexhaustible reserves they possess of darkness, ignorance, and savagery! Despair has raised them to their feet fascism has given them a banner. Everything that should have been eliminated from the national organism in the form of cultural excrement in the course of the normal development of society has now come gushing out from the throat; capitalist society is puking up the undigested barbarism. Such is the physiology of National Socialism." https://www.marxists.org/archive/trotsky/germany/1933/330610.htm
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Football hooligan jailed for Islington pub attack on Guardian columnist Owen Jones
Andrew Coates
After a two-day hearing to determine Healy’s motive, Judge Anne Studd QC previously found the unprovoked attack could only be motivated by Mr Jones’s media profile as a left-wing polemicist. In his evidence, Mr Jones said: “I’m an unapologetic socialist, I’m an anti-racist, I’m an anti-fascist and I’ve consistently used my profile to advocate left-wing causes.” https://www.islingtongazette.co.uk/news/man-jailed-for-owen-jones-pub-attack-1-6764451Andrew Coates
-- Andrew Coates
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