Chris, James, Andrew, While this thread has had valuable information it seems to have become somewhat repetitive and unduly personal. I think the color settings thread has played itself out. Gary was

Much has been written on this forum about the increasing adoption and success of ICC color management among printers. I would appreciate hearing from Chris M, Andrew R, or other consultants or their c

Gary writes, Some of you mentioned "learning the numbers". I need to know what this means. and is the subject covered in Dan's book Professional Photoshop 6?>> "By the numbers" is the foundation for a

With the advent and popularity of digital cameras in newspaper photojournalism a new beast has really reared its head. It seems that unlike film that absorbs light consistently across the spectrum (at

I experience the exact same problem...on one of the digital cameras we use, skin tones seem to take on an excessive amount of cyan......it is very difficult to correct this without ruining the rest of

Yes it is. Another benefit of digital proofs over analog proofs, especially in CTP applications. At least in SWOP applications, most of the variations between SWOP Certified proofing systems are adjus

Joey Benton wrote: One of the biggest "problems" with the D1 is its choice of color space for its internal processsing. If the photographer shoots with the D1 set to make JPEGs in camera as opposed to

Re: [colortheory] By the numbers…? on 1/1/01 1:49 PM, Chris Murphy at lists@... wrote: The stuff from Pictographics is pretty nice. I like how you can control the number of patches on the new Gretag t

Gordo writes, success of ICC color management among printers.>> Much has been written about this increasing adoption and success for more than five years now. Mysteriously, however, after this half-de

In Professional Photoshop the individual channels are shown as grayscale images. How do you view them that way when you are in CMYK or RGB? Todd

Todd writes, images. How do you view them that way when you are in CMYK or RGB?>> In Edit: Preferences>Display & Cursors, UNCHECK the box "Display Color Channels in Color," which is on by default. Dan

Joey writes (and Crissy similarly), photojournalism a new beast has really reared its head.It seems that unlike film that absorbs light consistently across the spectrum (at least in theory) the digita

Actually as I understand it Nikon has only "chosen the NTSC working space as a color characteristic" but has not embedded, tagged, or otherwise forced the issue of using this as a working space or pro

Whenever the question is asked at a GATF or GRACoL conference, that I have attended in the past five years, about the usage of ICC color managed workflows typically out of audiences of about 5-700 peo

There now appears to be some confusion as to what constitutes an ICC Color managed workflow. I don't think that because a profile is in PShop that that makes for an ICC workflow. So, this is what I wa

David Broudy writes: <rest snipped> I'm printing this out and framing it. Now I'm going to go do a jig. Chris Murphy

I'll start with a question. I just upgraded my Mac to OS 8.1 (I've hesitated upgrading to 8.6 and 9.0 because I read that there were conflicts with Photoshop). I have both 5.0 and 5.5 in the computer

Make sure to stay away from the ones that use Epson's pigmented ink. They won't be suitable for proofing. Yarc has a free RIP for the Epson 3000. You might check it out and give their sales department

I don't recall if I obtained the suggestion from this group or another, but I am trying out a utility called 'Powerstrip' from Entech http://www.entechtaiwan.com/ps.htm for monitor color calibration.