on 25/2/01 6:37 pm, gowens01GO@... at gowens01GO@... wrote: As a one time cinematographer....I used to shoot a greyscale at the beginning of each lighting setup. If I was in the studio all day then I

I use Xrite's ColorShop software with a ColorTron II Spectrophotometer mainly as a learning tool to understand the relationships between different color spaces. My reading tells me to define RGB or an

Sven writes, should better choose a device independent RGB-workingspace.>> RGB and CMYK are very similar; LAB is not similar to either. Therefore, there are clear advantages to working certain images

Dan: <<Archives to this list only get posted when I get time to edit them, unfortunately... Preston: <<I have the following page bookmarked to take me to Color Theory archives, at least since last Dec

Hi all, here's a little problem I'm dealing with, it has to do with angles, moir and lpi and because all this affects color too I posted it on the list. There's a moir pattern appearing in some prints

Mihai Necsulescu writes: > The pattern may affect some colors and some not. (You can see moire for 30 > Cy + 55 Ma + 65 Ye for example and on other colors very little or not observable) Thanks Mihai,

I'm scanning with Linocolor 6.0.7, make my corrections in Photoshop 5.5 and then ouptput the pictures on different ink-jet printers and sometimes on offsetprinting. I want to have a device-independent

Hi group, Hope this is not too off subject. Having been thoroughly confused by the recent egroups/yahoo merger and hating yahoo as much as I do... can someone remind me where the archives live particu

Your screen angles are standard, although magenta is often switched for black to avoid moire in flesh colors (note thatmagenta and yellow are only 15 degrees apart with your settings this can esily ca

Paul writes, recent egroups/yahoo merger and hating yahoo as much as I do... can someone remind me where the archives live particularly the discussion on setting up photoshop 6 color preferences. I ha

moiré involved Hector: At least someone is interested in fixing the problem. I just got samples of a four color brochure back last week. I had gone to the press check, and noted that there was a patte

Hi group, I just went to www.ixsoftware.com to find out more about Make It So!. I was disappointed, all I saw were two news releases. So my first question is: Does this software address all types of o

Folks, We post this list monthly. I call special attention to two items that newer members often forget. 1) Replies to messages must be addressed to the list itself, not to the person who sent the mes

1 March 2001 Hi, this is my first post to the group - I have been watching for a while. I would like a response from the members on the best method to profile my G4, Sony monitor, Epson 1270 printer a

David writes, the press check, and noted that there was a pattern or moire over most of the faces and any large areas that contained large amounts of yellow AND magenta.>> This pretty much indicates t

Our school's Digi-Photo and Graphics department is looking to replace an aging Leafscan45 with a faster "as good or better" scanning solution for film (negs and transparencies - 35mm - 4x5"). Right no

Russell writes, the idea that the Jazz can scan numerous originals at the same time. But there's expressed fears that a flatbed scanner cannot really compete with dedicated film scanners (Newton rings

Hello -- I'm a "newbie" to the group, so please excuse any breach of protocol. In the recent Photoshop v. Illustrator "color shifting" discussions, it would seem as if some spin-off questions may have

Thanks to all who helped answer my question. I'm now more convinced that the Imacon is more appropriate for our needs. FWIW the EverSmart Jazz and Imacon PII are the same price so price was never an i

Can anyone explain the basic differences between scanning negatives and transparencies. My impression is that is is more difficult to scan negatives but I'm not sure what the problems are or what need