First off Happy Holidays to Dan and the entire gang!! Dan, thanks for the review! Any search in Google brings up tittles like "230 Color Trends for 2022", how can anyone say 230 choices be a trend at

Gang, I thought this may be of interest to some in the group: The Great Debate: Digitalists vs. Traditionalists and the Future of Color! Join Pantone as we host The Great Debate: Digitalists vs Tradit

Dan I will add my final cent in this discussion to say one more thing: back when you ran a test for donations (and it worked ok) you were still wondering what to do with that money other than paying t

Steve, you may have noticed that during partial or total eclipses, the shadows under trees, for example, become quite unique! The last time I had the time to spend some minutes in such an eclipse, aro

Dan, first off, of course, many many thanks for being so generous with your time and knowledge and this has been invaluable, even for a rookie like myself! Even though I may not have a deep understand

Many thanks, Dan for the explanation. It is now much clear to me, especially when you say that the Auto features would saturate the channels from the start, I can see the self-imposed limitations this

Oop this brings a question to my head: as much as checking, after all adjustments are made, seems to be like a test for the quality of the adjustments, then wouldn't it make more sense to start this A

I submitted my image rather late on Monday and I think it stayed out of the challenge group, as I do not seem to locate it in the folder. No prob though. One more time, I went overboard with extra sat

Kent this is the correct answer indeed! Regardless of being morning or afternoon, the sun is already underneath the mountains. Otherwise, we should have scattered sun rays flooding into the landscape.

Just about my own take, Hector. Following Dan's approach to the choir ( I could not participate in that challenge) the double-lighting situation appeared to me to be happening in Burma in the same fas

What a powerful and fascinating analysis!! I did the suggested layering in both color and luminosity and can now ascertain where did I go away from the Par. ( #628). This challenge has also taught me

As I have done quite some work on Lighting Design Photography projects for public spaces and private ventures, with several hundreds of LED luminaires pre-programmed and blasting all sorts of color co

#case-study-results

>On Feb 25, 2021, at 6:08 AM, colortheory@groups.io <digestnoreply@groups.io> wrote: >What does it take to make a decent picture out of this mess? Not much, IMHO. 1) The sky/sea combination. Anything

Super Interesting Kim, many thanks!! Jorge

I totally agree on this and to me, this is part of the new approach learnt by being here and doing some ( few) of the challenges. I am now running quick adjustments, keeping the layered file open and

Dan I certainly concur with your appreciation and I dare to say that the same applies to basically every challenge, no matter the subject matter and the level of complexity, - if and only if- we are t

I like #309 because it is the one I submitted so I am biased. That said, I can tell that I had some unexpected troubles with the reds and oranges ( clearly visible in the red clothes) when I converted

The interesting part of this challenge comes from having to decide-mostly in a subjective manner- what works for each one involved. Averaging 140 plus images to see how it looks is just one more varia

Dan and Gang, I will try to go point by point to explain my opinions on the natter and avoid s super long reply: 1- As seen from someone who has been doing Artwork reproduction for galleries and colle

Hello gang. I have a different question related to the subject, given I had the panel installed in 2020 so it came nicely into 2021,, so no troubles here, but I really got curious about the VARIANTS M