Interesting. I had some fun about fifteen years ago playing with printing images using two spot colours. The images were generated with two spot colour plates. These were not duotones. I created two c

This is the joy of using a commercial product from a large organization. Next to zero transparency and decisions impacted by multiple layers of decision makers. Dark Table anyone? regards, Frederick Y

Dan I look forward to the results and don’t have any suggestions for further tests. I have on occasions noticed a color shift between my eyes hopefully subtle enough but it doesn’t make a difference.

Thanks for the heads up David. We will only start to worry in a year or so. regards, Frederick Yocum

Dan I have certainly found the group valuable. I note there is a donate option with the plan? Why not open it up for members to defray the financial cost? regards, Frederick Yocum

I am with Henry on the solution. If the photographs are part of a larger facsimile of a newspaper page. Maintaining the halftone pattern will add a sense of voracity to the image. regards, Frederick Y

I use it to rescue low resolution photographs, usually taken with older mobile phones. It can deliver amazing results. When it isn’t amazing, it is usually because the high resolution version looks a

A very difficult challenge to take up because the painting is so iconic. It is difficult to get over my recollection of the actual conventions of the painting. If you had used a little known northern

Yes, please. Count me in. regards, Frederick Yocum

Late to this thread, since I enjoyed other responses I thought I would chip in. 1) Is color correction and/or retouching photos your main job responsibility? (50% or more of your time is spent editing

Thanks to you all for continuing to perfect this tool that I use constantly. regards, Frederick

Thanks Michael Accurate is good enough -- The RIP I use is not contract certified, the RIP I am considering, Fiery Express has three versions, one for photographers, one for proofing and one called "P

Colleagues, This list is about color correction but there are enough color experts monitoring it to make asking a slightly off-topic subject worthwhile. Hopefully not too off topic. In my work I use a

I agree with you David and also thank Michael Jahn. It is a great article. if you have any interest in the technical side of scripting and building extensions worth a read. It is full of the sort of o

I agree with Bevi, except a cappuccino at 10 am would suit me better. many thanks Dan and Giuliana Frederick Yocum

Not a problem for me. Using Mail on OSX and iOS. regards, Frederick

Henry This is where color spaces assert their authority. When moving from a large color space with lots of colour options to a small colour space, the colours in your image are funneled into a smaller

Rebecca I usually save a full size ( whatever the image came in) color corrected version with layers, if there are any, in RGB and an appropriately sized flattened version in the correct CMYK format.

My own experience reflects Dan’s. Usually I will curve and then, if deemed necessary channel blend. However sometimes there is enough contrast in the channels, but I want to take advantage of blending

I second this recommendation. A very useful extension for expanding your understanding and use of channels. Frederick Yocum frederick@...