Translation of what printer is really saying: "I don't know what I'm doing when it comes to RGB images and therefore I don't want to be responsible for making disgusting awful separations. I want

Hi all, just wondering if anyone has any experience shooting or dealing with images that have been shot against a blue screen? We have to try to facilitate a high volume of single product images with

I unsubscribed from this list several weeks ago using listbot, and haven't received any mail until today. Please unsubscribe me! __________________________________________________ Do You Yahoo!? Get

on 3/28/01 8:44 AM, Terry Wyse wrote: I just got scolded by the scanner supervisor of a large printer in the Boston area where myself and my company helped them implement some color management

on 3/28/01 6:54 AM, Dan Margulis at 76270.1033@... wrote: It helps in we need a description of the RGB to get to CMYK. That was true before ICC profiles (using a monitor preference in versions

Andrea writes, The scanner acquire the files in RGB The RGB color space has more color info than CMYK It is fine to acquire the files in CMYK but the CreoScitex trainer say that it is not

on 3/28/01 4:34 AM, Andrea de Polo wrote: They're saying "more vivid colors, more details, better overall" ?? Well... I suppose the argument could be made that a CMYK image will have better shadow

Hello everyone, I have a CreoScitex EverSmart Supreme scanner; I have alreadyscanned 70.000 color and b/w images at 304 dpi, 2000x3000 pixels,RGB-TIFF. Now we got the following scenario: the

The way I have drastically reduced or eliminated the effects of different colored lights and various color temperatures in a scene is to: 1) Filter any lights, as best possible, to make the main

Fuji NPS film is specifically designed with an extra dye layer to handle mixed lighting conditions. I'm looking forward to Dan's explanation on repair, but if you can get the photographer to use NPS

have very strong mixed casts which I find impossibly difficult to fix with any sort of success rate. A typical recent example is a dark bronze statue lit in a mixture of daylight, mercury halide and

Folks, Because this is a complicated color problem that comes up from time to time, especially for images shot on location, I forward this question, which did not come from a list member. My response

Tony writes, errors caused by film being wrongly processed? eg colour neg film processed thru E6 or tranny film procesed thru C41 chemistry.>> The generic answer is that it's the same as if the

Folks, As promised earlier, we've posted 10 more edited threads of this group at www.ledet.com/margulis. To get to them, you have to select the "articles by Dan" option. (We'll be revising this

Is there any proved and tested approach for correcting colour and density errors caused by film being wrongly processed? eg colour neg film processed thru E6 or tranny film procesed thru

I'm using Pshop 6.0 on a PC Remember how we originally setup Photoshop's background color(through the operating system I think)to be a neutral gray so that we were not thrown off by a weird color

wrote: I was just hoping a 1c 97m 99y 0k would be in the neighborhood of red from our local prepress' Matchprint. It was really orange! We just got the signatures and the magazine showed this

That's the one, thanks. Too bad they don't have any info on their web page for preparing images like some printers seem to have. ... Aaron

RE: John Sweeney wrote: =========================================== Don't get me wrong, I do not intend to slam SWOP. This is a case where "A" and "C" match "B" ... however "A" may not match