Date   

Re: Olympus DM-720 Question

Tom Kaufman
 

Byron: Which way to I slide? So far...no luck; I know this is the way some
cordless phones work (never really have had luck with those either) will
keep trying!
Tom Kaufman

-----Original Message-----
From: all-audio@groups.io [mailto:all-audio@groups.io] On Behalf Of Byron
Stephens
Sent: Tuesday, December 31, 2019 1:33 PM
To: all-audio@groups.io
Subject: Re: [all-audio] Olympus DM-720 Question

Press down and slide it, and it should work.
----- Original Message -----
From: "Tom Kaufman" <tomcat53@comcast.net>
To: <all-audio@groups.io>
Sent: Tuesday, December 31, 2019 10:29 AM
Subject: [all-audio] Olympus DM-720 Question


Hello list: Have sort of a "low-tech" question: I need to change the
battery/batteries in my Olympus DM-720 recorder; I know this is probably a
stupid question, but where is the place on the back of this recorder to
open
the battery compartment? Also, once I have found it (and I think maybe I
have found it) how do I cause the little door to open? I've pressed on
this
button that seems to be pressing in.but no soap; the door still does not
open! What is the magic mov I need to make in order to make the door open
for me? I'm not real good at these sort of things; something I don't
fully
understand why! Do I have to "push and slide at the same time? Just what
is it I need to do here? Forgive my stupitidy here, but your help will be
tgreatly appreciated!

Tom Kaufman




Re: Olympus DM-720 Question

Byron Stephens
 

Press down and slide it, and it should work.

----- Original Message -----
From: "Tom Kaufman" <tomcat53@comcast.net>
To: <all-audio@groups.io>
Sent: Tuesday, December 31, 2019 10:29 AM
Subject: [all-audio] Olympus DM-720 Question


Hello list: Have sort of a "low-tech" question: I need to change the
battery/batteries in my Olympus DM-720 recorder; I know this is probably a
stupid question, but where is the place on the back of this recorder to open
the battery compartment? Also, once I have found it (and I think maybe I
have found it) how do I cause the little door to open? I've pressed on this
button that seems to be pressing in.but no soap; the door still does not
open! What is the magic mov I need to make in order to make the door open
for me? I'm not real good at these sort of things; something I don't fully
understand why! Do I have to "push and slide at the same time? Just what
is it I need to do here? Forgive my stupitidy here, but your help will be
tgreatly appreciated!

Tom Kaufman



Olympus DM-720 Question

Tom Kaufman
 

Hello list: Have sort of a "low-tech" question: I need to change the
battery/batteries in my Olympus DM-720 recorder; I know this is probably a
stupid question, but where is the place on the back of this recorder to open
the battery compartment? Also, once I have found it (and I think maybe I
have found it) how do I cause the little door to open? I've pressed on this
button that seems to be pressing in.but no soap; the door still does not
open! What is the magic mov I need to make in order to make the door open
for me? I'm not real good at these sort of things; something I don't fully
understand why! Do I have to "push and slide at the same time? Just what
is it I need to do here? Forgive my stupitidy here, but your help will be
tgreatly appreciated!

Tom Kaufman


blaze ET sd card question

dennis
 

hi list i hope this is the right place to ask this. i have a blaze et player from hims. does anyone know if it will take 64gb cards or olny 32gb cards. thanks for any help.

--
Dennis Cornelison


gain booster gadget?

goshawk on horseback
 

hello all,
does anyone know if there is a device for boosting the gain of a supposedly line level source?
I have a particular device that is supposed to give line level output, but I find that what it puts out of it's line out sockets is rather low level. I can get decent level out of it, but only by opening the fader of the channel on the desk that this particular device is on virtually full.
I know that many studio eq units also have gain controls, but really don't need any eq, just some extra gain, so wondered if there was a device to just do that job?
looking for a stereo, not single channel such box please.
hope that all makes sense.

Simon


Creating Daisy Audio

Andrea Sherry
 

There was one a program called Daisy490 or some such.

It wasn't really very sophisticated but did a quick and dirty conversion of audio to daisy.

Can find that Obi program but not the other one.

Anyone know where it might be.

Cheers

Andrea


Re: A couple of gold wave questions

Colin Howard
 

Greetings,

Sorry this is so late but have been suffering email and pc problems for the
last few weeks and only just seen your post.

I am using GW V5.70 but what I write applies equally to your version.

1. To enable jumping in small increments, you need to set the zoom level.
When GW opens a file, normally the screen shows in visual form the whole
length, hence moving markers / arrows, moves a percentage of the whole file.

In GW, go to the view menu, ensure scrollock (ctrl l) is checked, this
enables arrow / marker movements. Go down the menu, you will find loads of
zoom-related entries, zoom in is shift up, zoom out shift down, then there
are several presets, such as zoom to ten seconds, zoom to one secont . . .
what these mean is only the specified length of the file is shown on the
screen hence the arrow / marker values are appropriately changed. I mostly
tend to set my zoom rate at one second, which is alt with one.

To help, you may care also to set the edit field in the play tab, this
follows the rewind/wind forward settings and, certainly in versions before
any of the V6 ones, by default is set to 0.00, I have mine set to 0.15,
which means whenever I move a marker or arrow, I hear fifteen hundredths of
the zoom value, in most cases this is adequate for my editting and setting
this field increases both accuracy and speed of complex edits and use of
other effects.

2. The three play controls are intended to be used to access the file in
different ways. I have mine set as follows which gives me all the
flexibility I could desire.

Play1, executed by F2 is set to play all, meaning it starts at the beginning
of the file.

Play2, executed by F3, I have set to play selection, meaning I play anything
between start and end marker.

Play3, executed by F4 which, in versions below 6 is not set by default, I
have set to play view, meaning it plays whatever is showing on the screen.

These can be set in the play tab of control properties.

When GW first opens the file all these play controls start at the beginning
and play the file in it's entirity, their action is, thus, ruled by your
settings of zoom, you can, therefore, see how important setting the best
zoom rate for your needs is of the utmost importance.

Late though I am, hope the above explanations prove to be useful and if I
can assist further, having used GW in it's various forms since 2006, please
get in touch.

On Sat, 2 Nov 2019 00:33:14 -0400, "JOHN RIEHL via Groups.Io"
<REALMAN02=VERIZON.NET@groups.io> wrote:

-Hi. I'm using Gold wave v6.41 and JAWS 2020. I have lengthy MP3 files of
-lectures I'm trying to edit. I'm able to set beginning and end markers with
-the [ and ] keys and then delete portions I want to delete. However, when I
-press the right and left arrows to move through the cuts, I skip ahead or
-back at least five minutes, which is way too long a time. I'd like to set
-the time Gold wave skips ahead or back when I'm going through a lecture to,
-say, one minute. How do I do this? Changing the fields for play 1, 2 and 3
-in the play menu don't seem to have any effect. Thanks!
-
-
-
-Also, what do play 1, play 2 and play3 do, anyway?
-
-Thanks. John
-
-
-


Re: Routing my computer audio and/or Speech into a DAW or TeamTalk?

JM Casey
 

Not sure about TeamTalk, but you shouldn't need any more channels or even an
interface if the programme is set up to do this -- I know Zoom will let
others hear your sounds and presumably that could be recorded as well. DAWs
generally seem to have a loopback option of some kind (in some cases it used
to be called "what you hear") that will allow this. I have also heard of
Virtual Audio Cable, which might help you -- not really sure about this as I
haven't tried it, but others on the list probably know about its specific
usefulness.

-----Original Message-----
From: all-audio@groups.io <all-audio@groups.io> On Behalf Of Jesse
Tregarthen
Sent: December 6, 2019 10:19 AM
To: all-audio@groups.io
Subject: [all-audio] Routing my computer audio and/or Speech into a DAW or
TeamTalk?

Hello,

I've recently purchased a Scarlet Solo USB audio interface with the
intention of recording my mic and guitar. Using it as an input device in
Windows to record in my DAW with my mic or guitar is fine. The bit I'm
wondering about is if I wanted to record a demo and capture NVDA. I'd also
like to be able to route NVDA and other system audio through TeamTalk for
others to hear. Would I require an interface with more channels for this or
a program? On Mac I accomplish this with audio highjack to capture system
audio and loopback to play it through Skype or TeamTalk. Thanks in advance.
Best, Jesse


Routing my computer audio and/or Speech into a DAW or TeamTalk?

Jesse Tregarthen
 

Hello,

I've recently purchased a Scarlet Solo USB audio interface with the intention of recording my mic and guitar. Using it as an input device in Windows to record in my DAW with my mic or guitar is fine. The bit I'm wondering about is if I wanted to record a demo and capture NVDA. I'd also like to be able to route NVDA and other system audio through TeamTalk for others to hear. Would I require an interface with more channels for this or a program? On Mac I accomplish this with audio highjack to capture system audio and loopback to play it through Skype or TeamTalk. Thanks in advance. Best,
Jesse


22,050Hz stereo vs mono

Curtis Delzer
 

Is the frequency response the same in both stereo in mono for *.wav files? someone told me some years ago that if a stereo *.wav file, it is 11,025 per side of frequency response, which I believe is about half that number for the high end of treble, e.g. 5512Hz meaning 22050 should be better if, that is if the sides in stereo actually use 22,050Hz. Speech should be ok up to 11,000Hz, because most sibilence don't reach that or nearly that. We don't wish to use a strange bit rate, but again, that question. I am not discussing *.mp3 files which are compressions and have their own algorithm.

THANKS for ideas and straightening out my thinking.

--


Curtis Delzer
HS
K 6 V F O
Rialto, CA

curtis@calweb.com


bluetooth speakers with eq controls?

goshawk on horseback
 

hello all,
by good luck, rather than judgement, I recently came across the Marshall range of bluetooth speakers, that feature actual bass and treble controls. with some of the internet old time radio stations I listen to, on my phone when I am not at home, this is super handy, as some of the recordings these stations play, are far from good quality.
I thought that I would enquire however, if anyone knows of any other such speakers, better still if there are any that feature a 3band, 5band, or more eq on them.

Simon


Re: The Complete Audio 2

Georgina Joyce
 

Hello Hamit,

Well ask about the drivers required. Sadly, some functionality is done via a driver on some devices. I wanted an ID22 the interface that the Booth Junky uses. But their support told me that some work was being done in terms of accessibility. But at this moment in time it was not and on the 22 a significant part of it’s functions are controlled by software.

Regards,

Gena
On 15 Nov 2019, at 18:53, Hamit Campos <hamitcampos@gmail.com> wrote:

I'm interested in anything that does full HD my friend. Again 139 bucks ain't bad. I'd get it totally.

On 11/15/2019 1:46 PM, Georgina Joyce wrote:
Hello Hamit,

The Zoom is a recorder so the cost is based on the cost of production. The interface part is a small part of it’s total.

A dedicated interface is going to have better pre-amps than a multiple function device like the Zoom.

Are you in the market for an interface?

Gena
On 15 Nov 2019, at 18:28, Hamit Campos <hamitcampos@gmail.com> wrote:

Yeah same here. Sweet Water says they are hi quality. Not saying they're trash. Don't get me wrong. I was sympaly saying just cause of the price difference I'd assume something like the H6 though more than just an interface would have better guts. Like my brother Roger likes to bring up sure the interface is 139 bucks. But how good are the guts how much are those pre's how much is the dac and so on. In other words he kinda likes to say that just because something costs 139$ don't expect your take on what a 139$ device should sound like to be true. He said this when we were talking about the LS-14 of Olympus and I was saying to him that though it was okayish it didn't seem to me to be really the little brother of the 100 like Olympus seemed to wana cell it as.

On 11/15/2019 11:21 AM, Georgina Joyce wrote:
Hello Hamit,

I don’t know it would require deep reading. Oh yes, the advantage of boosting the source with a fethead lowers the noise floor for dynamic mics and the fethead fantom for condensers.

I have a collection of Audient ID and Focusrite Scarlett interfaces so not in the market for a new interface.

I didn’t understand your comments regarding the cost difference between the 2 very different devices.

I would like to know how good those pre-amps are on that range of interfaces.

Regards,

Gena

On 15 Nov 2019, at 13:45, Hamit Campos <hamitcampos@gmail.com> wrote:

Ah yes I do recall him saying that. Especially for dinamic mics. Also someone else demoed a cloud lifter to pump up an SM7B on an H6. In that case that video was an SM7B mic demo more than an H6 demo. So you're saying that the pre's in this interface might be quieter then the H6 ones? Interesting. Like I said I'll check out the demos later on today.

On 11/15/2019 6:23 AM, Georgina Joyce wrote:
Hello Hamit,

What you were looking at is an audio interface and the Zoom is a recorder. Yes the 6 can act as an interface but the Native Instruments Complete Audio is just the USB interface. What is important with interfaces is the noise floor on the pre-amps. As you use an extremely quiet mic it is important to use a pre-amp with a very low noise floor. You might be aware that the Booth Junky suggests using a fethead with the Zoom so that the pre-amps are not so noisy.

Regards,

Gena

On 15 Nov 2019, at 03:43, Hamit Campos <hamitcampos@gmail.com> wrote:

Wow just red about the Complete audio 2 on Sweet Water's page. It does 192 KHZ 24 bits full HD audio. For only $139. Awesome. I'll check out the demos tomorow because I can't think a 139$ thing would sound any better than a 400$ Zoom H6. Even if it does do full 192 KHZ. Still though Full HD for only 139 bucks, pretty good deal for someone starting out me thinks.



Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73


Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73


Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73


Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73


Re: The Complete Audio 2

Hamit Campos
 

I'm interested in anything that does full HD my friend. Again 139 bucks ain't bad. I'd get it totally.

On 11/15/2019 1:46 PM, Georgina Joyce wrote:
Hello Hamit,

The Zoom is a recorder so the cost is based on the cost of production. The interface part is a small part of it’s total.

A dedicated interface is going to have better pre-amps than a multiple function device like the Zoom.

Are you in the market for an interface?

Gena
On 15 Nov 2019, at 18:28, Hamit Campos <hamitcampos@gmail.com> wrote:

Yeah same here. Sweet Water says they are hi quality. Not saying they're trash. Don't get me wrong. I was sympaly saying just cause of the price difference I'd assume something like the H6 though more than just an interface would have better guts. Like my brother Roger likes to bring up sure the interface is 139 bucks. But how good are the guts how much are those pre's how much is the dac and so on. In other words he kinda likes to say that just because something costs 139$ don't expect your take on what a 139$ device should sound like to be true. He said this when we were talking about the LS-14 of Olympus and I was saying to him that though it was okayish it didn't seem to me to be really the little brother of the 100 like Olympus seemed to wana cell it as.

On 11/15/2019 11:21 AM, Georgina Joyce wrote:
Hello Hamit,

I don’t know it would require deep reading. Oh yes, the advantage of boosting the source with a fethead lowers the noise floor for dynamic mics and the fethead fantom for condensers.

I have a collection of Audient ID and Focusrite Scarlett interfaces so not in the market for a new interface.

I didn’t understand your comments regarding the cost difference between the 2 very different devices.

I would like to know how good those pre-amps are on that range of interfaces.

Regards,

Gena

On 15 Nov 2019, at 13:45, Hamit Campos <hamitcampos@gmail.com> wrote:

Ah yes I do recall him saying that. Especially for dinamic mics. Also someone else demoed a cloud lifter to pump up an SM7B on an H6. In that case that video was an SM7B mic demo more than an H6 demo. So you're saying that the pre's in this interface might be quieter then the H6 ones? Interesting. Like I said I'll check out the demos later on today.

On 11/15/2019 6:23 AM, Georgina Joyce wrote:
Hello Hamit,

What you were looking at is an audio interface and the Zoom is a recorder. Yes the 6 can act as an interface but the Native Instruments Complete Audio is just the USB interface. What is important with interfaces is the noise floor on the pre-amps. As you use an extremely quiet mic it is important to use a pre-amp with a very low noise floor. You might be aware that the Booth Junky suggests using a fethead with the Zoom so that the pre-amps are not so noisy.

Regards,

Gena

On 15 Nov 2019, at 03:43, Hamit Campos <hamitcampos@gmail.com> wrote:

Wow just red about the Complete audio 2 on Sweet Water's page. It does 192 KHZ 24 bits full HD audio. For only $139. Awesome. I'll check out the demos tomorow because I can't think a 139$ thing would sound any better than a 400$ Zoom H6. Even if it does do full 192 KHZ. Still though Full HD for only 139 bucks, pretty good deal for someone starting out me thinks.



Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73


Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73


Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73



Re: The Complete Audio 2

Georgina Joyce
 

Hello Hamit,

The Zoom is a recorder so the cost is based on the cost of production. The interface part is a small part of it’s total.

A dedicated interface is going to have better pre-amps than a multiple function device like the Zoom.

Are you in the market for an interface?

Gena
On 15 Nov 2019, at 18:28, Hamit Campos <hamitcampos@gmail.com> wrote:

Yeah same here. Sweet Water says they are hi quality. Not saying they're trash. Don't get me wrong. I was sympaly saying just cause of the price difference I'd assume something like the H6 though more than just an interface would have better guts. Like my brother Roger likes to bring up sure the interface is 139 bucks. But how good are the guts how much are those pre's how much is the dac and so on. In other words he kinda likes to say that just because something costs 139$ don't expect your take on what a 139$ device should sound like to be true. He said this when we were talking about the LS-14 of Olympus and I was saying to him that though it was okayish it didn't seem to me to be really the little brother of the 100 like Olympus seemed to wana cell it as.

On 11/15/2019 11:21 AM, Georgina Joyce wrote:
Hello Hamit,

I don’t know it would require deep reading. Oh yes, the advantage of boosting the source with a fethead lowers the noise floor for dynamic mics and the fethead fantom for condensers.

I have a collection of Audient ID and Focusrite Scarlett interfaces so not in the market for a new interface.

I didn’t understand your comments regarding the cost difference between the 2 very different devices.

I would like to know how good those pre-amps are on that range of interfaces.

Regards,

Gena

On 15 Nov 2019, at 13:45, Hamit Campos <hamitcampos@gmail.com> wrote:

Ah yes I do recall him saying that. Especially for dinamic mics. Also someone else demoed a cloud lifter to pump up an SM7B on an H6. In that case that video was an SM7B mic demo more than an H6 demo. So you're saying that the pre's in this interface might be quieter then the H6 ones? Interesting. Like I said I'll check out the demos later on today.

On 11/15/2019 6:23 AM, Georgina Joyce wrote:
Hello Hamit,

What you were looking at is an audio interface and the Zoom is a recorder. Yes the 6 can act as an interface but the Native Instruments Complete Audio is just the USB interface. What is important with interfaces is the noise floor on the pre-amps. As you use an extremely quiet mic it is important to use a pre-amp with a very low noise floor. You might be aware that the Booth Junky suggests using a fethead with the Zoom so that the pre-amps are not so noisy.

Regards,

Gena

On 15 Nov 2019, at 03:43, Hamit Campos <hamitcampos@gmail.com> wrote:

Wow just red about the Complete audio 2 on Sweet Water's page. It does 192 KHZ 24 bits full HD audio. For only $139. Awesome. I'll check out the demos tomorow because I can't think a 139$ thing would sound any better than a 400$ Zoom H6. Even if it does do full 192 KHZ. Still though Full HD for only 139 bucks, pretty good deal for someone starting out me thinks.



Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73


Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73


Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73


Re: The Complete Audio 2

Hamit Campos
 

Yeah same here. Sweet Water says they are hi quality. Not saying they're trash. Don't get me wrong. I was sympaly saying just cause of the price difference I'd assume something like the H6 though more than just an interface would have better guts. Like my brother Roger likes to bring up sure the interface is 139 bucks. But how good are the guts how much are those pre's how much is the dac and so on. In other words he kinda likes to say that just because something costs 139$ don't expect your take on what a 139$ device should sound like to be true. He said this when we were talking about the LS-14 of Olympus and I was saying to him that though it was okayish it didn't seem to me to be really the little brother of the 100 like Olympus seemed to wana cell it as.

On 11/15/2019 11:21 AM, Georgina Joyce wrote:
Hello Hamit,

I don’t know it would require deep reading. Oh yes, the advantage of boosting the source with a fethead lowers the noise floor for dynamic mics and the fethead fantom for condensers.

I have a collection of Audient ID and Focusrite Scarlett interfaces so not in the market for a new interface.

I didn’t understand your comments regarding the cost difference between the 2 very different devices.

I would like to know how good those pre-amps are on that range of interfaces.

Regards,

Gena

On 15 Nov 2019, at 13:45, Hamit Campos <hamitcampos@gmail.com> wrote:

Ah yes I do recall him saying that. Especially for dinamic mics. Also someone else demoed a cloud lifter to pump up an SM7B on an H6. In that case that video was an SM7B mic demo more than an H6 demo. So you're saying that the pre's in this interface might be quieter then the H6 ones? Interesting. Like I said I'll check out the demos later on today.

On 11/15/2019 6:23 AM, Georgina Joyce wrote:
Hello Hamit,

What you were looking at is an audio interface and the Zoom is a recorder. Yes the 6 can act as an interface but the Native Instruments Complete Audio is just the USB interface. What is important with interfaces is the noise floor on the pre-amps. As you use an extremely quiet mic it is important to use a pre-amp with a very low noise floor. You might be aware that the Booth Junky suggests using a fethead with the Zoom so that the pre-amps are not so noisy.

Regards,

Gena

On 15 Nov 2019, at 03:43, Hamit Campos <hamitcampos@gmail.com> wrote:

Wow just red about the Complete audio 2 on Sweet Water's page. It does 192 KHZ 24 bits full HD audio. For only $139. Awesome. I'll check out the demos tomorow because I can't think a 139$ thing would sound any better than a 400$ Zoom H6. Even if it does do full 192 KHZ. Still though Full HD for only 139 bucks, pretty good deal for someone starting out me thinks.



Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73


Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73



Re: The Complete Audio 2

Georgina Joyce
 

Hello Hamit,

I don’t know it would require deep reading. Oh yes, the advantage of boosting the source with a fethead lowers the noise floor for dynamic mics and the fethead fantom for condensers.

I have a collection of Audient ID and Focusrite Scarlett interfaces so not in the market for a new interface.

I didn’t understand your comments regarding the cost difference between the 2 very different devices.

I would like to know how good those pre-amps are on that range of interfaces.

Regards,

Gena

On 15 Nov 2019, at 13:45, Hamit Campos <hamitcampos@gmail.com> wrote:

Ah yes I do recall him saying that. Especially for dinamic mics. Also someone else demoed a cloud lifter to pump up an SM7B on an H6. In that case that video was an SM7B mic demo more than an H6 demo. So you're saying that the pre's in this interface might be quieter then the H6 ones? Interesting. Like I said I'll check out the demos later on today.

On 11/15/2019 6:23 AM, Georgina Joyce wrote:
Hello Hamit,

What you were looking at is an audio interface and the Zoom is a recorder. Yes the 6 can act as an interface but the Native Instruments Complete Audio is just the USB interface. What is important with interfaces is the noise floor on the pre-amps. As you use an extremely quiet mic it is important to use a pre-amp with a very low noise floor. You might be aware that the Booth Junky suggests using a fethead with the Zoom so that the pre-amps are not so noisy.

Regards,

Gena

On 15 Nov 2019, at 03:43, Hamit Campos <hamitcampos@gmail.com> wrote:

Wow just red about the Complete audio 2 on Sweet Water's page. It does 192 KHZ 24 bits full HD audio. For only $139. Awesome. I'll check out the demos tomorow because I can't think a 139$ thing would sound any better than a 400$ Zoom H6. Even if it does do full 192 KHZ. Still though Full HD for only 139 bucks, pretty good deal for someone starting out me thinks.



Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73



Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73


Re: The Complete Audio 2

Hamit Campos
 

Ah yes I do recall him saying that. Especially for dinamic mics. Also someone else demoed a cloud lifter to pump up an SM7B on an H6. In that case that video was an SM7B mic demo more than an H6 demo. So you're saying that the pre's in this interface might be quieter then the H6 ones? Interesting. Like I said I'll check out the demos later on today.

On 11/15/2019 6:23 AM, Georgina Joyce wrote:
Hello Hamit,

What you were looking at is an audio interface and the Zoom is a recorder. Yes the 6 can act as an interface but the Native Instruments Complete Audio is just the USB interface. What is important with interfaces is the noise floor on the pre-amps. As you use an extremely quiet mic it is important to use a pre-amp with a very low noise floor. You might be aware that the Booth Junky suggests using a fethead with the Zoom so that the pre-amps are not so noisy.

Regards,

Gena

On 15 Nov 2019, at 03:43, Hamit Campos <hamitcampos@gmail.com> wrote:

Wow just red about the Complete audio 2 on Sweet Water's page. It does 192 KHZ 24 bits full HD audio. For only $139. Awesome. I'll check out the demos tomorow because I can't think a 139$ thing would sound any better than a 400$ Zoom H6. Even if it does do full 192 KHZ. Still though Full HD for only 139 bucks, pretty good deal for someone starting out me thinks.



Gena

Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73



Re: The Complete Audio 2

Brian Olesen
 

Hi,
Exactly! I'm recommending it too.

Brian

-----Oprindelig meddelelse-----
Fra: all-audio@groups.io <all-audio@groups.io> På vegne af Hamit Campos
Sendt: 15. november 2019 04:43
Til: all-audio@groups.io
Emne: [all-audio] The Complete Audio 2

Wow just red about the Complete audio 2 on Sweet Water's page. It does
192 KHZ 24 bits full HD audio. For only $139. Awesome. I'll check out the demos tomorow because I can't think a 139$ thing would sound any better than a 400$ Zoom H6. Even if it does do full 192 KHZ. Still though Full HD for only 139 bucks, pretty good deal for someone starting out me thinks.


Re: The Complete Audio 2

Georgina Joyce
 

Hello Hamit,

What you were looking at is an audio interface and the Zoom is a recorder. Yes the 6 can act as an interface but the Native Instruments Complete Audio is just the USB interface. What is important with interfaces is the noise floor on the pre-amps. As you use an extremely quiet mic it is important to use a pre-amp with a very low noise floor. You might be aware that the Booth Junky suggests using a fethead with the Zoom so that the pre-amps are not so noisy.

Regards,

Gena

On 15 Nov 2019, at 03:43, Hamit Campos <hamitcampos@gmail.com> wrote:

Wow just red about the Complete audio 2 on Sweet Water's page. It does 192 KHZ 24 bits full HD audio. For only $139. Awesome. I'll check out the demos tomorow because I can't think a 139$ thing would sound any better than a 400$ Zoom H6. Even if it does do full 192 KHZ. Still though Full HD for only 139 bucks, pretty good deal for someone starting out me thinks.



Gena

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The Complete Audio 2

Hamit Campos
 

Wow just red about the Complete audio 2 on Sweet Water's page. It does 192 KHZ 24 bits full HD audio. For only $139. Awesome. I'll check out the demos tomorow because I can't think a 139$ thing would sound any better than a 400$ Zoom H6. Even if it does do full 192 KHZ. Still though Full HD for only 139 bucks, pretty good deal for someone starting out me thinks.

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