A portable cardioid or shot-gun microphone taken by each speaker will give the best results but there is going to be some handling noise. Unless the mics are very expensive.
The common terms are omni-directional and figure 8 polar patterns that may meet the criteria as expressed.
The choice of microphone depends upon the quality desired and the money available. In addition to the event’s structure and location. If all participants are co-operative.
On 23 Sep 2019, at 22:09, tim cumings <firstname.lastname@example.org> wrote:
It depends what type of microphone you are talking about. If you mean a standard cardioid microphone, that might work fairly well. If you meansomething that is even more directional, like a shotgun microphone, it might be difficult if there are multiple speakers on the stage, since you would have to move the microphone back and forth to capture the audio from all the speakers.
Also in this particular situation I would advise that you use headphones to insure you are getting the best possible recording.
On Sep 23, 2019, at 10:32 AM, Steve Jacobson <email@example.com> wrote:
Does anybody have experience with using a uni-directional microphone to record a presenter at a meeting from the audience? I know there are directional microphones that work well to allow a speaker to be picked up at a close range while suppressing feedback, for example, but I am interested in being able to better pick up a speaker from, say, the first row in the audience. Any thoughts on what degree this is practical would also be of interest.
DMR ID: 2346259